Credits
7/18 – 10/18
Production Support – The Kid Who Would Be King
Film (Feature-length) — Working Title Films
7/18 – 10/18
6/18 – 9/18
Compositing Supervisor – Mary Poppins Returns
Film (Feature-length) — Lunamar Productions
6/18 – 9/18
12/15 – 3/16
Lead Compositor – Now You See Me 2
Film (Feature-length) — K/O Paper Products
12/15 – 3/16
3/13 – 6/13
Compositing Supervisor – Riddick
Film (Feature-length) — One Race Films
3/13 – 6/13
7/12 – 10/12
Compositing Supervisor – The Last Stand
Film (Feature-length) — Di Bonaventura Pictures
7/12 – 10/12
9/11 – 12/11
Supervising Compositor – Mirror, Mirror
Film (Feature-length) — Goldmine Pictures
9/11 – 12/11
7/11 – 10/11
Lead Compositor – Underworld: Awakening
Film (Feature-length) — Lakeshore Entertainment
7/11 – 10/11
9/06 – 12/06
Digital Visual Effects – 300
Film (Feature-length) — Hollywood Gang Productions
9/06 – 12/06
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