Summary

Matt, a Creative Director, based in San Francisco, has 3 Creative Director credits and 1 Creative Executive credit, and has been a member since 2013.

Credits

2/23 – 6/23

Creative Director (Editor) Dolby CinemaCon 2023 Hero Sizzle

CinemaCon 2023 — Corporate
2/23 – 6/23
12/20 – 11/21

Creative Executive

Staff Position — Kaleidescape Details
12/20 – 11/21

Directed creative content while responsible for strategy, scaling marketing team, and delivering brand assets for Kaleidescape: a reference- quality consumer movie store and playback tech ecosystem. Reported insights and impacts directly to new CEO and VP of Marketing, presented to e-staff, company all-hands, and board members. Liaised with globally distributed teams to provide education, create buzz, and emphasize Kaleidescape’s unique selling proposition. Collaborated cross-functionally while identifying, vetting, onboarding, and managing roster of vendor agencies, designers, production companies, photographers, filmmakers, and freelancers to execute over 100 unique go-to-market brand assets, from outbound awareness to inbound education, across disciplines and touchpoints including print, photo, copy, brand messaging, social, digital, and video production. Launched co-promotions with major pro and consumer partners including Sony, Meyer Sound, Trinnov Audio, and Lutron. Developed guidelines and templates to build repeatable success.

5/20 – 5/21

Co-Producer Zero Contact

Lionsgate — Film (Feature-length) — Enderby Entertainment Details
5/20 – 5/21

•Report to CEO and Director to co-produce 100% remotely-shot feature-length film, with ensemble cast across 7 countries, within script-to-delivery production target of 90 days. •Identify and onboard VFX team; guide creative with globally-sourced artists. •Advise and refine both visual and narrative elements of the story through post-production. •Oversee marketing assets, including trailer and copy positioning, for film sales.

3/15 – 6/19

Creative Director

Staff Position — Dolby Laboratories Details
3/15 – 6/19

Cinema, developed with partners including Apple, Disney, Netflix, Paramount, Warner Bros., Universal, AMC Theatres, and LG. Curated assets and coverage for 15+ annual shows including The Oscars, CinemaCon, CES, and every Dolby-hosted movie premiere at the Dolby Theatre and worldwide launch sites. Directed 45+ video testimonials, personally interviewing C-suite executives, high-profile artists, luminaries and influencers on-camera including Steven Spielberg, Alfonso Cuarón, Bradley Cooper, Francis Ford Coppola and more. Motivated, managed, and mentored over 20 internal designers, technicians, studio creatives, while onboarding dozens of external design and agency resources to deliver best-in-class brand assets, title marketing trailers, and peak-performing Dolby tech demo experiences.

3/18 – 3/19

Creative Director

Staff Position — Concoction. Details
3/18 – 3/19

Creative Director & Senior Editor. •Engage and scale with venture capital firms, early startups, medium-stage companies, established players, and entertainment trailblazers to articulate value propositions to partners, investors, and consumers. •Advise B2B, B2C, and B2B2C brand creative strategy while developing anthems, trailers, explainers, shows, webisodes, behind-the-scenes, and pitch presentations. •Manage all operations, business development, pitch decks, and creative execution with artists and designers. •Clients have included Dolby, Specialized Bicycle, Kaleidescape, Lyft, VIPKid, Shaklee, Red Bull, Jaunt XR, Wargaming, Klutz, Morgan Stanley, National Geographic Films, Enderby Entertainment, and movie trailers for every major film studio. Recent projects for 2022: Dolby: 2 quarterly board presentation reels; testimonials for Taika Waititi and Olivia Wilde (in progress) Specialized: 3 part series corporate doc with focus on sustainability Kaleidescape: directed on-location testimonial featuring board member Priscilla Member and former Dolby cinema head Doug Darrow. Home Entertainment, Digital, and Theatrical campaigns for Universal's Downton Abbey, Minions: The Rise of Gru, and Sony's The Woman King

1/18 – 1/18

Editor The Freeman Chronicles (Season 1)

Chariotdrive — TV — ChariotDrive
1/18 – 1/18
6/16 – 8/16

Executive Producer (EP) Universe

Theatrical - Dolby Cinema — Film (Short) — Dolby Laboratories Details
6/16 – 8/16

As my proudest work at Dolby, I held unique ownership of this project from developing the initial concept and personally writing the copy, to guiding it through every stage of life and deliverables, to proudly accepting its' Golden Trailer Award win. Transliterated and localized into over 15 languages and mined for 200+ derivative works, Universe continues to play at Dolby Cinemas worldwide and is featured prominently as the intro inside Dolby’s flagship Cinema at 1275 inside the San Francisco headquarters.

6/16 – 7/16

Editor (Avid) The Freeman Chronicles: Episode 2

YouTube, Steam — Digital — ChariotDrive
6/16 – 7/16

Unions

  • IATSE Local 700 Motion Picture Editors Guild (MPEG)

Orgs

  • (inactive union status)

Recos

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Education

California State University, Sacramento

Psychology

My Gear

  • Movi
  • Drone
  • Rode Shotgun Microphone
  • SUV
  • Mac
  • FilmicPro
  • Adobe Creative Cloud
  • Panasonic Lumix S1 with lens package
  • fast SSDs

Skills

  • Producing
  • AVID Media Composer
  • Directing
  • Editing
  • Final Cut Pro
  • Photography
  • Writing
  • Documentary
  • Feature Films
  • Adobe Premiere
  • Google Docs
  • Copywriting
  • Cinematography
  • Interviewing
  • Adobe Creative Suite
  • slack
  • Location Scouting
  • short form
  • Google Drive
  • Adobe Photoshop
  • Trailers
  • Music Supervision
  • Branded Content
  • Microsoft Office Suite
  • Asana
  • Behind-the-Scenes
  • Localization
  • Logic Pro
  • Long Form
  • remote
  • Stereoscopic 3D
  • Google Cal
  • Dolby Atmos
  • Dolby Vision
  • VFX direction