Summary

Continuity and unit photographer with long term experience in the film industry. From photographing makeup test on Pirates of the Caribbean to posing Coraline at LAIKA studios for photoshoots, photography is my strong suit and I am readily available

Credits

10/18 – 1/19

Asset Photographer Missing Link

Film (Feature-length) — Laika
10/18 – 1/19
9/16 – 12/17

Assistant Camera (AC) (Asset photographer) Missing Link & Film 6 untitled

Film (Feature-length) — Laika Details
9/16 – 12/17

Asset Photographer is responsible for the set up and controlling of studio lighting equipment. He/she maintains and moves the lighting and equipment from one scene to another in order to create the visual effect desired by the director. Ac assist in the set up, operation and maintenance of studio cameras and equipment on a Stop Motion animated feature film, maintaining the camera and related equipment, in tracking the completed shots and sequences, and in moving equipment from one stage to another

2/11 – 6/12

Special Effects Assistant (unit photographer) Pirates of the Caribbean: On Stranger Tides

Film (Feature-length) — Walt Disney Studio Motion Pictures Details
2/11 – 6/12

As a member of the effects crew I worked extensively producing props, set dressings, and makeup appliances as well as having a hand in molding and casting the prop mermaids. Makeup and prosthetics were produced out of silicon for makeup application such as battle wounds, facial modification, an amputations. Bones, props, and set dressings, were produced mainly out of resins. I second as a continuity photographer as well documenting the makeup application process to record the amount of time taken for each application, to assure consistency from scene to scene, and to receive approval from Disney for each makeup design.

3/10 – 1/11

Special Effects Assistant (photographer) Battle: Los Angeles

Film (Feature-length) — Relitivity Media Details
3/10 – 1/11

Assistant in the art department casting hundreds of alien bodies out of foam latex and several out of silicon for an autopsy scene, 50ft ropes were treated with tinted silicone to act as the aliens tentacles and set dressing. I had a short hand as puppeteer for the autopsy scene uncredited. Towards the end of the film I was approached to help photograph continuity for the head of the makeup department

8/10 – 11/10

Special Effects Make Up Artist Drive Angry

Film (Feature-length) — Michael De Luca Productions
8/10 – 11/10

Orgs

  • LM Media
  • The Desert Race
  • The Revival House

Recos

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My Gear

  • Sony a7R III
  • Canon 24-105mm Lens
  • Canon 50mm Lens
  • Camera Lens 85mm
  • Canon A-1
  • Canon 5D Mrk2

Skills

  • Photography
  • Video Editing
  • Casting
  • Camera Operator
  • Videography
  • Photo Editing
  • Production Assistant
  • Assistant Camera
  • Adobe Premier
  • Mold Making
  • Special Effects Assistant
  • illistrator
  • film set assistant