Over 200 VFX shots including tracer rounds, bullet hits, glass breaking, destruction, limb chopping, blood impacts, muzzle flashes galore.
Summary
Born to shoot. Been doing it since I was 8y/o. I specialize in making the director's vision come to a beautiful and expensive-looking life. I can do a lot with a little and I'm down for whatever.
Credits
3/18 – 6/18
Director of Photography (DP) – Armed
Film (Feature-length) — MVP Films
3/18 – 6/18
4/17 – 7/17
Director of Photography (DP) – Superstition (Season 1)
SyFy — TV — MVP Films
4/17 – 7/17
12/15 – 3/16
Visual Effects Supervisor – Vigilante Diaries
Film (Feature-length)
12/15 – 3/16
11/15 – 2/16
Director of Photography (DP) – Code Of Honor
Film (Feature-length) — Premiere entertainment group
11/15 – 2/16
10/15 – 1/16
Visual Effects Artist – Papa: Hemingway in Cuba
Film (Feature-length)
10/15 – 1/16
9/14 – 12/14
Visual Effects Supervisor – Big Time in Hollywood, FL (Season 1)
Comedy Central — TV — Brillstein Entertainment Partners
9/14 – 12/14
5/14 – 7/14
Visual Effects Artist – The Night Crew
Film (Feature-length) — Premiere Entertainment Details
5/14 – 7/14
1/14 – 6/14
Editor (FCP) – Compound Fracture
Film (Feature-length) Details
1/14 – 6/14
Ground-up director's cut, including syncing sound and assistant editing. Cleaned up additional editing. Post supervised VFX, and did about 50% of them myself including making several shots that we didn't even film (drawer opening, security cams, screens, mirrors breaking, etc...)
Recos
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Education
Class of '05
Miami University, Communications/Film
Bachelors in Arts/Science
Class of '03
NYU Tisch School of the Arts
Film
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