Apply to this Assistant Editor Job

Scripps Longform Unit is hiring multiple Junior Editors / AEs starting June and running into the fall.

Applicant must be proficient in Premiere. Duties include:

— ingesting, syncing, grouping multi-cam footage
— creating stringouts and early assemblies — making preliminary coverage choices, archival and music selection
— importing archival
— laying in narration
— exporting cuts
— preparing footage for online

This person will be working across multiple episodes and should be super organized, detail-oriented, communicative, and a team player.

Rate will be based on experience.

BIPOC, LGBTQ+ individuals are encouraged to apply.

Busy production company looking for a Post Production PA to start ASAP. Job is daily and as needed with the potential to become long term.

Daily tasks will include, but are not limited to:
- Transcribing footage
- Assisting with organizing releases
- Assisting with logging footage
- Post & Production runs as needed
- Helping with packing up gear for travel

$225/12h Day - Paid as hourly rate of $16.0714 for the first 8 hours and then $24.1071 for all hours after the first 8 hours.

Must have prior post production experience.

Major Music Festival needs onsite editor for daily/overnight edits for sponsored content.

Filming will take place onsite Friday 6/7

Edits needed to be completed
15s SAT 6/8 MORNING before 11am
30s SAT 6/8 AFTERNOON before 5:30pm
15s Cutdown MONDAY by noon

Aspect ratios for deliverables:
16 x 9
9 x 16
1 x 1



Festival/event editing experience a plus.
Please send reels or similar works.

We are seeking an experienced Postproduction Coordinator to join our post team on a long-running Discovery series. This full-time position will require you to work for 3 days in our Stamford, CT office, and two days can be worked remotely (optional). The ideal candidate would be a team player, diligent, precise, have a great attitude, and be a great communicator.
Technical expertise is a plus.
Comfortable on avid & can adapt to already established post workflows.
Day to Day tracking of archival & library footage.
Clearing & tracking down all appearance, location, and materials releases
Previous experience with Discovery deliverables is a big plus.
Ability to multitask with many daily moving parts.

Please note this is a non-union position.
Must be fluent in at least one of the following languages: Arabic, Spanish, French or Swahili.

Our Brooklyn-based production company is looking for a Post Production Assistant to help with transcription, translation and/or captioning on a documentary project.
We encourage a hybrid structure, coordinating on-site days at our office in Brooklyn for team collaboration.

Dates: 06/03/24 (or sooner if available) and ends around mid-December 2024.
Hourly Rate: $16/hr, Part-Time.

Technical Skills:
-Must have experience with an editing program. Avid experience is a plus.
-Experience working within a team
-Proficient technical skills, with the ability to trouble-shoot and solve problems
-Basic knowledge of spreadsheets and Google docs (though advanced skills are not a requirement)

Please send resume and cover letter (if you are able to) with the Subject "Post-Production PA"
Thank you very much for your interest.

Responsibilities include, but are not limited to:

-overseeing AE, coordinator, and/or PA day-to-day scheduling

-ensuring proper workflows are being implemented

-overseeing release passes

-overseeing transcription and/or translation needs per series

-tracking and responding to Legal, S&P, and R&C notes

-building and maintaining finish and delivery schedules

-creating blur, bleep, and text lists

-attending online & mix review and ensuring the delivery of error free masters

-overseeing completion of paper deliverables


There is a 1-2 day per week in-person requirement for the first 30 days of employment at our midtown Manhattan offices where you’ll learn our procedures and workflows, after which, the job can be performed remotely.

Office hours EST (10a-8p)

We are looking for an editor to create 5 x :15 Social Media videos for American Express.
The ideal candidate has extensive experience in advertising and documentary editing.
Please include work samples/portfolio.

We are seeking a Post Production Technical & Creative Assistant. The candidate must be highly technical with knowledge of digital tools. We work with Avid Media Composer so we need someone with basic knowledge on how Avid works. The role requires someone flexible who can evolve with the project as the project expands during post development. The ideal candidate will also be creative with a strong desire to learn and grow.

This part-time position starts in early June and runs through approximately 6 months with the possibility of extension. Must be based in NYC and able to work in person. Salary commensurate with experience.

Qualifications
-Must be proficient in Google Suite, Asana, Video Editing Software
-Exception work ethic
-Strong communication skills, verbal and written
-Detail oriented
-Strong time management skills and ability to thrive in a fast paced environment
-Willingness to learn new applications and technology
-Loves to collaborate and works well with others
-Highly technical person
-High energy person with good vibes
-Resourceful and problem-solving mindset
-Avid Media Composer experience a plus but not required
-Position is in person at our Brooklyn office, 3 to 5 days a week
-Strong computer skills

Responsibilities include

-Filtering footage for translation, exporting, tracking what is sent to the translation team, managing a shared translation calendar.
-Avid Project Management: creating media folders / bins
-Backing up Media: Moving data between hard drives and cloud back ups, etc.
-Manage the Media Manager log of the breakdown of all media
-Manage the project scene log. Add tag words or update with new shoot days. Breakdown and log scenes.
-Help locate and log specific scenes, shots, characters and moments in the footage.
-Add tags to the log, get scenes on and off my miro white board, print scene boards, change naming conventions,
print the scenes, locate footage, etc.
-Work with the director and editors to locate footage, create B-roll sequences and gather footage on specific topics
inside the Avid Project
-Sit in on meetings with director and editors, track story beats and arcs and help coordinate everyone around a miro
board.
-Purchase and install software, manage software licenses, troubleshoot basic technical problems
-Maintaining social media pages
-Run office errands
-Additional office duties as required: purchasing office supplies, office craft, booking cleaning services, etc.

Job description
Overview:

Condé Nast Entertainment is looking for video editors to cut Ukrainian-language digital content. Candidates must speak fluent Ukrainian and be able to translate and edit videos involving Ukrainian-speaking talent. CNE Video Editors bring compelling, culturally-impactful, entertaining, and diverse creative content to life every day. Candidates should be natural storytellers and creatives first, interested in a role that spans a wide array of projects and styles, and able to collaborate with many creative partners in Production and Programming. This position works closely with Directors, Producers, Post Production Supervisors, other post-production team members, and reports to the Supervising Editor.

Primary Responsibilities:

Edit a variety of complex digital video concepts across Condé Nast’s portfolio of brands, primarily for YouTube in both English and Korean
Collaborate with Directors and Producers to meet the creative and technical goals of each unique project
Able to quickly and independently cut to the essence of a story, and create compelling and entertaining narratives from diverse raw materials
Maintain active lines of communication with Post Production Supervisors, Directors, and Producers throughout the course of a project; be vocal when it comes to a project’s scheduling, creative, and technical needs, and flag concerns or delays promptly
Time management skills and flexibility are key to successfully stay on schedule in CNE’s fast-paced, high-volume post-production environment.
For any assigned project, complete motion graphics, color correction, sound design and mix, deliverables, and cue sheets
Desired Skills and Qualifications:

Fluency in Ukrainian required
Minimum 4 years editing experience, primarily in digital video content; past work in a fast-paced, high-volume studio, media company, or post facility environment preferred
Must be proficient in Adobe Premiere, with advanced capabilities with After Effects strongly preferred
Strong finishing skills; able to handle color correction, sound mix, motion graphics, and possess the capability to deliver high quality design and stylized content
Strong understanding of editing principles and current digital trends, with an ability to tell a cohesive story
Must have impeccable organizational and communication skills
Must be able to self-organize priorities to ensure that deadlines are met, adhering to best practices set forth by senior management
Ability to problem solve and work through issues and produce under the pressure of deadlines
What happens next?

If you are interested in this opportunity, please apply below, and we will review your application as soon as possible. You can update your resume or upload a cover letter at any time by accessing your candidate profile.

A portfolio, viewing room, or links to individual, applicable pieces of past work is required. Videos that have achieved demonstrable success on YouTube are desired. Demo or sizzle reels are discouraged.

Condé Nast is an equal opportunity workplace.
Duties and responsibilities may be adjusted based on years of experience.
Salary is also commensurate with experience.

Job Type: Full-time

Benefits:

Flexible schedule
Schedule:

8 hour shift
Monday to Friday
Experience:

Adobe Premiere: 1 year (Preferred)
Adobe After Effects: 1 year (Preferred)
Work Location: Remote

Looking for two remote Avid editors for a comedy series starting in June. Must have comedy credits and experience working in TV, please do not apply if you don't have this experience.

Please include at least 3 samples of comedy shows you've edited and a link to your iMDB page.

Junior Video Editor / Technical Operations
Quite Frankly Productions – Shaping Stories, Showcasing Brands

We're on the hunt for a Junior Video Editor with a knack for storytelling and a keen eye for detail to join our energetic team at Quite Frankly Productions. In our fast-paced environment, you'll collaborate on a variety of projects, bringing creativity and technical expertise to deliver content that makes an impact.

Key Responsibilities:
Work with your QF Producer to craft compelling video content, ensuring alignment with the narrative vision and pacing.

Utilize advanced video editing tools, including Adobe After Effects, Premiere Pro, Audition, and Photoshop.

Manage multiple editing projects simultaneously, maintaining organization and adhering to deadlines.

Work with your QF Producer to interpret client briefs and feedback with precision, ensuring their vision is realized through your edits.

Proactively troubleshoot and resolve technical issues during the editing process.

Continuously update and refine editing skills, staying current with industry trends and software updates.

Act as a collaborative and flexible team member, ready to assist across a range of tasks.

Qualifications:

1-3 years of experience in video editing.

Strong portfolio showcasing a range of editing styles and techniques.

Proficiency with Adobe Creative Suite and comfort working on both Mac and Windows platforms.

Excellent communication skills and the ability to work well both independently and as part of a team.


Our Promise:
Work with a diverse range of content, from social media snippets to corporate communications.
Be part of a team that values creativity and technical proficiency equally.
Opportunity for professional growth in a supportive and dynamic workplace.


Position Details:

An initial 3-month trial contract, with potential to move to full-time employment.
Competitive salary range.


Apply Now:
Interested candidates should send a resume and portfolio to [Please reply using Staff Me Up].

Quite Frankly Productions is your stage to create, refine, and share stories through the art of video editing.

Looking for Production Assistants familiar with Avid to review, mark and organize footage for national cable outdoor program. Additional duties include tracking storylines and weekly meetings with story producers & editors. Must be highly organized, proficient at AVID, Google Docs, Microsoft Excel & Word

DLP is seeking an Assistant Editor to support our diverse range of projects, including sports television, longform documentaries, and commercials.
Ideal candidates will have a solid understanding of Adobe editing software and workflows, along with a keen eye for detail and a passion for storytelling.
RESPONSIBILITIES:
Editing Support:
Assist editors with assembling footage, organizing project files, and preparing rough cuts.
Import, log, and organize media assets, ensuring all files are correctly labeled and stored.
Create and maintain project timelines, ensuring that all tasks are completed on schedule.
Synchronize and prepare multi-camera footage for editors.
Media Management:
Manage and maintain media storage, including backups and archiving of completed projects.
Troubleshoot and resolve any technical issues related to media files or editing software.
Coordinate with the post-production team to ensure all media is properly managed and accessible.
Creative Collaboration:
Collaborate with editors and other team members to achieve the desired creative vision.
Review and provide feedback on rough cuts and edits, ensuring alignment with project goals.
Assist in the creation of graphics, visual effects, and other elements as needed.
Quality Control:
Conduct preliminary reviews of edits to ensure technical quality and consistency.
Implement quality control processes, including testing and reviewing final deliverables.
Ensure all edits meet technical specifications and standards before final approval.
Industry Knowledge and Continuous Improvement:
Stay updated on industry trends, editing software updates, and best practices.
Recommend new tools, software, or techniques to improve the editing workflow.
Participate in team meetings and training sessions to enhance skills and knowledge.
Qualifications:
Proficiency in editing software such as Adobe Premiere Pro
Strong organizational skills and attention to detail.
Ability to work collaboratively in a fast-paced environment.
Excellent communication skills, both written and verbal.
A passion for storytelling and a creative mindset.

DLP seeks a Post Production Supervisor to oversee a diverse array of post production projects, including sports television, longform documentaries, and commercials.

Ideal candidates will possess strong technical expertise and managerial experience in media management, to off-line editing and finishing.

RESPONSIBILITIES:
Project Management:
Partner with the production team to develop post-production schedules, budgets, and deliverables.
Design and maintain a detailed post-production plan, covering timelines, milestones, and resource allocation.
Track project progress, pinpoint potential issues or delays, and devise solutions to maintain project timelines.
Liaise with external vendors or freelancers as necessary to complete project components.
Team Management:
Lead and mentor the post-production team, including editors, assistant editors, and media managers.
Delegate tasks, set priorities, and offer guidance to ensure efficient and high-quality output.
Cultivate a positive and collaborative work environment, encouraging effective communication and teamwork within the post-production team.
Report project status, progress, and potential issues to stakeholders clearly and promptly.
Quality Control:
Ensure all post-production deliverables meet technical and creative standards, including video/audio quality, color grading, visual effects, and overall aesthetic consistency.
Review rough cuts, graphics, visual effects, and other elements, providing feedback to ensure alignment with project goals.
Implement quality control processes, including testing, reviewing, and approving final deliverables before distribution or broadcast.
Industry Knowledge and Continuous Improvement:
Stay current on industry trends, emerging technologies, and best practices in post-production workflows.
Recommend and implement new tools, software, or techniques to enhance the post-production process.