Apply to this Lead Assistant Editor Job

Looking for an editor for a short movie. We need someone who can take over the project from the beginning, sync the sound, and collaborate with the director and producer to create the best possible project.

Editor needed for a digital game show series.

Although distributed through YouTube, this series is formatted similarly to the production value of a television show. In other words, the edit lift is quite heavy compared to what you would think an "average" YouTube edit would be. These edits are comprised of several camera angles, up to nine microphones, and multiple scenes.

The editor needs to be comfortable building story, editing with comedic timing, and dialogue editing. 
The best candidate for this role would be an editor who has experience in editing game shows, reality shows, or quick-paced comedy shows with lots of camera angles and audio tracks to manage. 



This is primarily a remote position, but the selected editor WILL BE REQUIRED TO SPEND AT LEAST ONE DAY ON-SITE to get acclimated with our post-production workflow and to receive the necessary assets / footage.

Adobe Premiere

RATE: $1,000.00 - $1,200.00 / Weekly

Production is hiring an editor IMMEDIATELY at the rate range above and is expected to begin work by Monday (May, 27th).

Looking for experienced editors and assistant editors for upcoming competition series. Rate based on experience. AVID

INE Entertainment is a full-service independent production company based in Los Angeles that offers best-in-class film, television and digital production services for clients like Disney, WB/Discovery, NBC, Fox, Amazon, IMDb, and more.
We are looking for an inventive, self-motivated and collaborative freelance Sr. Video Editor to join an award-winning, post-production workforce creating engaging short-form digital content for online distribution (YouTube, Instagram, TikTok, and more).

As Sr. Video Editor, you will use your post-production and innovative storytelling expertise to drive creation and delivery of high-quality video assets across multiple popular series franchises. You will be given exceptional creative control over the execution and strategy of the editing process, working in concert with a team of producers on a variety of high-visibility projects. Applicants must have exceptional communication skills, rigorous attention to detail, extensive knowledge of film and TV fandoms, and a passion for creative work.

***TO BE CONSIDERED: You must have digital/brand agency and/or production company experience.

Responsibilities
Use Adobe Premiere to craft engaging short form videos with tight turnaround times
Create motion graphics using After Effects and Essential Graphics from templates (and from scratch if needed), including lower thirds, full-screen text, custom image layouts, and more
Revise videos after receiving internal and client feedback
Finish projects with music, color correction, and sound mixing
Keep projects meticulously organized and labeled properly

Qualifications
Fluent in Premiere, After Effects, Frame.io, Dropbox
Strong passion for film and TV, music, pop culture, internet trends, and social media
Ability to work creatively under quick turnaround times
Ability to prioritize deadlines and work on multiple projects at once
Ability to problem solve and find solutions to creative challenges
Strong communication skills and professional presence
Passionate about storytelling and crafting engaging and professional content
Have a positive, can-do attitude that contributes to our team and work culture.
Ensure compliance with company guidelines, including deadlines, quality control, and design standards
After Effects knowledge a plus (keyframing, animating text, using expressions, working with track mattes and shapes, and using basic virtual camera controls)

Requirements:
Minimum 4 years professional experience as a video editor with demonstrated ability to create end-to-end original digital video content that is adaptable to multiple social and digital video platforms.
Minimum 3 years professional experience audio mixing, sound design, and color correction.
Interested candidates must submit video samples and a resume/CV to be considered

INE Entertainment is an equal opportunity employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, gender identity, disability, protected veteran status, or any other characteristic protected by law. We will consider for employment qualified applicants with criminal histories consistent with applicable law.

Non-Scripted Production Company is looking for an experienced AVID (Post) Associate Producer with a great sense of story and experience working on True Crime Shows.

Candidate must have a strong understanding of character, stakes, action and tension, along with the ability to tell a compelling story.

Candidate should be proficient in Avid and great with story; extremely organized; have the ability to work independently on a tight schedule and also be a team player.

Job responsibilities will include: string outs, research and other duties as needed while working closely with the Producers and EP to create compelling television.

Please do not apply to this post unless you are excellent at putting together string-outs and have worked on at least three seasons of Reality Television.

This is currently a REMOTE position.

We are looking to add an in house Colorist that will be available during online / color for various shows.

We are building out a Color bay and will need someone to fill it when we have shows in the pipeline. Currently the first show will be late July early August

Coloring shows for various Networks (Netflix, Discovery, Hallmark) that may require HDR / UHD workflows.

ISO unscripted Editors for a new daily syndicated Crime Series. Please only apply if you have prior True Crime Credits

Please send resumes
Thank you!

Major Music Festival needs onsite editor for daily/overnight edits for sponsored content.

Filming will take place onsite Friday 6/7

Edits needed to be completed
15s SAT 6/8 MORNING before 11am
30s SAT 6/8 AFTERNOON before 5:30pm
15s Cutdown MONDAY by noon

Aspect ratios for deliverables:
16 x 9
9 x 16
1 x 1



Festival/event editing experience a plus.
Please send reels or similar works.

We are seeking an experienced Postproduction Coordinator to join our post team on a long-running Discovery series. This full-time position will require you to work for 3 days in our Stamford, CT office, and two days can be worked remotely (optional). The ideal candidate would be a team player, diligent, precise, have a great attitude, and be a great communicator.
Technical expertise is a plus.
Comfortable on avid & can adapt to already established post workflows.
Day to Day tracking of archival & library footage.
Clearing & tracking down all appearance, location, and materials releases
Previous experience with Discovery deliverables is a big plus.
Ability to multitask with many daily moving parts.

We are looking for a part time editor who:
Can work in Austin, TX
Available to come in office up to 3 days a week
Has a strong understanding of Premiere + Da Vinci
Understands the Post flow
Can jump into a string out and bring it home.

This is a part time opportunity in the Austin, TX area.

Please email cover letters & resumes to: [Please reply using Staff Me Up]

Please note this is a non-union position.
Must be fluent in at least one of the following languages: Arabic, Spanish, French or Swahili.

Our Brooklyn-based production company is looking for a Post Production Assistant to help with transcription, translation and/or captioning on a documentary project.
We encourage a hybrid structure, coordinating on-site days at our office in Brooklyn for team collaboration.

Dates: 06/03/24 (or sooner if available) and ends around mid-December 2024.
Hourly Rate: $16/hr, Part-Time.

Technical Skills:
-Must have experience with an editing program. Avid experience is a plus.
-Experience working within a team
-Proficient technical skills, with the ability to trouble-shoot and solve problems
-Basic knowledge of spreadsheets and Google docs (though advanced skills are not a requirement)

Please send resume and cover letter (if you are able to) with the Subject "Post-Production PA"
Thank you very much for your interest.

I need to start building up a roster of freelance video editors to help me with future overflow projects. Have you ever been told by multiple clients that you're a fast editor? Do you feel comfortable modifying pre-built After Effects templates to customize them to match the client's brand? If so, please respond with the following information:

1. Your website
2. Links to show videos you've edited that incorporate After Effects graphics that you've created from templates in order to give your clients custom branded graphics.
3. Your rate
4. Do you have an Envato Elements account?
5. (There's a potential project may or may not happen May 29th,30th,31st and June 1st. Please mention in your response if you're available those days.)

-Must have fast internet.
-Must have latest version of After Effects and Premiere.
-Must be able to work from home.
-Must be very comfortable modifying pre-existing After Effects templates and customizing them to the client's brand.

Responsibilities include, but are not limited to:

-overseeing AE, coordinator, and/or PA day-to-day scheduling

-ensuring proper workflows are being implemented

-overseeing release passes

-overseeing transcription and/or translation needs per series

-tracking and responding to Legal, S&P, and R&C notes

-building and maintaining finish and delivery schedules

-creating blur, bleep, and text lists

-attending online & mix review and ensuring the delivery of error free masters

-overseeing completion of paper deliverables


There is a 1-2 day per week in-person requirement for the first 30 days of employment at our midtown Manhattan offices where you’ll learn our procedures and workflows, after which, the job can be performed remotely.

Office hours EST (10a-8p)

Hello!

We are looking for a Graphics Operator for our ongoing Summer Camp Live stream throughout Summer. This will be a gig for every other Saturday from June to August, with a couple rehearsals that start at the end of May. We are hoping our selected operator can be available for all below dates. The live Saturdays will be early mornings, but only half days since the live stream is only about 20 minutes long.

For graphic control playback, operators will need to know how to comfortably use an Elgato Stream Deck XL, as well as be comfortable with Keynote, PowerPoint, and Playback Pro.

Production schedule:

May 31st - Tech Rehearsal
June 7 - Dress Rehearsal
June 8 - Camp Live Stream
June 22 - Camp Live Stream
July 6 - Camp Live Stream
July 20 - Camp Live Stream
August 3 - Camp Live Stream
August 17 - Camp Live Stream