Post Production Department Production Jobs

- Must be proficient in Avid Media composer
- Media Management: Strong understanding of media ingestion, logging, transcoding, syncing audio and video, and organizing footage in digital asset management systems.
-Rough assembly as needed
- Knowledge of After Effects (most likely will be editing text templates)
- Ingest music
- Install Fonts on editors' machines
- Export backup daily edits
- Backup final masters

Busy Post Production studio is looking for an experienced assistant editor for a docufollow series. Tasks include organizing and ingesting footage, grouping and syncing footage with audio, and prepping sequences for edit. This position is for a swing shift and candidates could be working nights and weekends.

Our pace is fast and furious, so we're looking for experienced AEs who can work quickly and keep track of multiple tasks. Experience with Avid and a willingness to work in office full time are a must!

Once hired, you will submit timecards or invoices and be paid weekly.

We are looking for a Graphics Op to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience working with vMix or Mitti is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

We are looking for an experienced Xpression graphics operator to help build out and operate for a live streaming YouTube Show.

Looking for a full-time Post Production Coordinator to work across various unscripted shows on major TV networks. Will be working directly with the VP of Post and Assistant Editors.

Duties include:
- Prepping workflow documents at the start of the season
- Coordinating with the field with releases, production stills, and third-party media
- Coordinating with Post team on any stock and GFX needs
- Managing deliverables such as final script, music cue sheets & Texted Elements Log
- Review Online delivery for blurs & bleeps

Skills needed:
- Adobe Premiere and Photoshop
- Slack
- Google Drive, Docs + Sheets

Experience coordinating unscripted is a major plus. This is an in-office position in Studio City.

Looking for an experienced Editor/DP to shoot & edit on Wednesday, May 22nd, and Thursday, May 23rd in Detroit, MI, for a live TV broadcast combat sports production.

Must be able to both shoot and edit in a fast-paced environment. Must be comfortable with a fluid schedule.

Please send a description of your experience, gear, and your rate. Must be able to work as a local to Detroit, MI.

April 29th
May 1st
May 2nd

Must have corporate town hall experience
Must have Microsoft Powerpoint Experience
Must have Windows Computer Experience

In charge of talents powerpoints (making sure correct slide deck is up, giving cues to director if embedded video, full screen slides, etc is coming up)
Making sure confidence monitors have correct view for the presenters

Be able to aid in giving cues/how many slides are left

We are looking for editors who have documentary experience who can also edit emotional and impactful 30 second "stories" from interviews with real people. The ideal candidate will have experience in dealing with many hours of footage but can also edit with the speed of an editor with promo experience. Skills in after effects will also be extremely helpful.

Looking for a highly talented editor with compositing experience to edit a 3 min short which will be shot in early May.

The film is about loneliness, nature, and basketball.

Must be collaborative + flexible + creative as this project is somewhat surreal. Must also have a strong understanding of visual storytelling.

If interested, please send samples and/of reels of your work.

A Colorado based Production Company is looking for a Video Editing and Marketing Asset Intern

The candidate must be familiar with AI tools to generate short form content from existing long form content as well as use AI tools to generate sales, marketing and promotional tools for existing television and film projects.

The position is part time (up to 25 hours) and the rate is $15/hour.

Contract (Freelance)
6 months with potential to extend
$600/10 (daily rate)
Hybrid - must be able to commute to office in Manhattan NY

Job Description
Finance news brand is seeking an experienced video editor to edit engaging, informative and timely video features, recurring series episodes and in-depth interviews. The video editor will regularly work on segments ranging from eight to 10 minutes with opportunities to expand stories to 25 minutes for OTT platforms.

These originals will be expected to capture viewers' attention through their sharp perspective, approachable style, and clear relevance to the biggest investments and financial questions investors face. You will help spearhead execution across a range of programming formats.

You will work closely with reporters, studio, graphics, and more to elevate brand’s feature video stories. You will be expected to be a strong collaborator and execute an efficient video production process to ensure clean, final delivery. Attention to detail, clear communication and being mindful of deadlines are a must. Strong candidates will be comfortable balancing a variety of projects and deadlines while working with different producers.

Responsibilities:
- Edit original features using Adobe Premiere, for audiences across our daily live distribution onsite and off, YouTube, and major social platforms.
- Help conceptualize, manage and execute visually dynamic, original edits in a deadline-driven environment.
- Stay up-to-date on the workings of company systems including proprietary infrastructures, working with the post support team to source and acquire assets as necessary for projects.
- Communicate in an appropriate and timely manner to relay issues and concerns about individual edits, technical issues and deadlines.
- Regularly update media and project tracking documents as necessary.
- Troubleshoot day-to-day issues with the IT team and post management.
- Develop and grow audience engagement across major platforms and help editorial leads establish and maintain OKR goals
- Complete additional duties as assigned.

Qualifications:
- At least 3 years of experience editing narrative features for onsite and OTT.
- An exceptional storyteller with a proven track record of editing high-quality, original field production with the audience and platform in mind.
- Proficient with Adobe Premiere.
- Must be experienced working with graphic templates and MGRTS within premiere. AfterEffects experience preferred.
- Comfortable sourcing pictures, video, soundbite from subscriptions services, including AP, Reuters, Getty, etc.
- Editor must thrive under deadline pressure and be able to juggle multiple tasks and assignments.
- Clear communicator, both written and verbal.
- Be able to work within and conform to established organizational systems and work/troubleshoot in team environments.
- Quality control of all video assets sent to the control room and published to our site and OTT platforms.

Line Cut - Please have working knowledge of OBS, Vmix or Tri-Caster.

Video Edit:
- Able to cut a full 45min show
- Meet tight deadlines, 3 hour turnaround delivery to Network and platforms
- QC edit: swipes, bugs, ads, elements, intro, end cards
- Edit a show with up to 20 elements
- Edit a panel: 1:1 box, 2-3 box, 3 box, 4 box
- Cut breakouts, shorts per episode
- Cut 5 full shows per week

Audio Mix- able to do podcast mix with remote footage and make a broadcast quality audio mp3

If ONLY editing $1000 a week if able to do a full sound design $1500 a week.

Looking for an AE with media management experience and Avid expertise. Job will be Monday-Friday in office at Venice, CA. Flexibility with hours needed but no crazy long days. Familiarity with Netflix media management is a big plus.

More detailed description:
The Edit assistant will follow the workflow set out in the Post Production guidelines below. The edit assistant will be responsible for wrangling of all camera cards, saving and backing up the footage. They will be required to be in the office to manage all the media coming and going from location, saving using correct naming conventions and logging this footage in the database. They may be required to have flexible work hours on occasions to ingest media for a tight turn around. They will also be required to do cast cutdowns and scene cuts as instructed by the Director or Senior Field Producer The edit assistant will also communicate regularly with the Sydney, Australia Post Production team as they will work closely on downloading all the footage sent from the US office. There is a tight turnaround between the shoot and the edit happening in Australia ,the edit assistant needs to make sure that efficiency and attention to detail at all times.

Looking to hire a creative and intuitive Los Angeles editor with an eye for detail and actor performance for an indie thriller/action film. Aprox 90 min.

Movie has a few Jason Bourne fights in it and needs a clean steady smooth flow like a David Fincher film. Work closely with director. Premiere or Avid but not looking for Final Cut.

2 month turnaround. Someone with a good attitude

Must be able to work with out rate our please do not reply.

Looking for a Post Production Supervisor for an established competition series - Avid, 9 cameras, digital and remote workflow.

Key Responsibilities

Project Management:
• Collaborate with the Producer team to align on post-production deliverables and deadlines.
• Lias with Executives and Network to execute post-production schedule and resource allocation plan
• Coordinate with various departments to ensure seamless workflow and timely delivery of project components.
• Monitor project progress, identify potential issues or delays, and implement solutions to keep projects on track.

Team Management:
• Supervise AEs and overall project maintenance/delivery schedule
• Assign tasks, set priorities, and provide guidance to team members to ensure efficient and high-quality work.
• Foster a positive and collaborative work environment, promoting effective communication and teamwork among the post-production team.
• Coordinate with external vendors through post and online

Quality Control:
• Ensure the technical and creative quality of all post-production deliverables, including video/audio quality, color, visual effects, and overall aesthetic consistency.
• Review and provide feedback on graphics, visual effects, and other elements to ensure alignment with project goals.
• Implement quality control processes that confirm video quality prior to being sent to client for review.

Communication and Collaboration:
• Serve as a primary point of contact for all post-production-related inquiries and updates.
• Communicate project status, progress, and any potential issues to executives, prod co and network in a clear and timely manner.

Position can be performed remotely

Interlochen Center for the Arts seeks a dynamic film editor for the Film and New Media division who is eager to contribute to a vibrant program dedicated to the overall development of young visual storytellers as editor and educator. The ideal candidate will have a comprehensive knowledge of visual storytelling and its diverse history, drawn from professional experience as an editor/filmmaker and the pursuit of higher education and professional experience. The Film and New Media Division at Interlochen Center for the Arts consists of two tracks - Live Action Film, and Animation. This position will work primarily with the Live Action Film track, with some courses for film majors, and available to animators and non-majors as electives.This is a one (calendar) year, full time appointment.

Essential Duties & Responsibilities:

Serve as an/instructor and editor of a feature documentary project (in coordination with Interlochen Center for the Arts and the Greenacres Foundation) to create a documentary that will show how the results of scientific research and close observations of nature make new efforts in sustainability, regenerative agriculture and preservation, a clear and emotionally accessible story.

Oversee the post-production details of the documentary, and coordinate necessary organizational aspects of planning the workflow of assets and the timely completion of cuts.

Review and organize raw footage, implementing creative and narrative-driven editing techniques and integrating audio elements to enhance the story telling.

Gather regular feedback to ensure all stages/deadlines of post-production are met.

Teach a Post-Production/Editing course developed in conjunction with the Director of Film and New Media.

Participate in 1:1 advisorship meetings with film students.

Teach additional courses related to film/visual storytelling, film editing, post-production workflow, directing actors, critical studies & script analysis

Participate as one of the faculty members of the Production Workshop, a class in which the entire community of film students enroll, in all stages of development of screenplays/productions/thesis/portfolio.

Teach key aspects of editing technology from asset import to exports of final projects

Provide group and individualized feedback for students

Attend departmental meetings

Attend weekly Community meetings as available

Create appropriate curriculum

Collaborate and innovate with other divisions at Academy

Participate in other faculty requirements (e.g. advisory, committee work as appropriate, recruitment, screenings/guest series, film festival, Cinema Collective etc)

Responsible for organizing day-to-day interactions with their respective students in the Film and New Media division, advising post-production.

Help students become independent and capable community minded problem solvers within complex circumstances of filmmaking from script to screen.

Requirements:

BA or BFA required, MA or MFA preferred

Expertise in film editing with professional experience in a comprehensive variety of the following aspects of filmmaking: all stages of post, editing feature film, and non-fiction storytelling; communicating and collaborating with directors and key members of production; choosing selects meeting deadlines

Experience and expertise with editing software, computer and storage technology, professional video formats (RED, Blackmagic, ARRI etc) and their interface with edit systems and their migration between field technology and edit suite

Experience with sound mixers and mixing software, experience in motion graphics and color grading a plus

Postproduction software certifications or professional experience equivalents; creative team scheduling and team management software

Application Materials Required:

Resume
Cover Letter
Portfolio or Reels

Job Benefits
Health, dental, and vision insurance
Vacation, Sick, Holiday and generous winter holiday time off
Life insurance
Voluntary life insurance
Short and long-term disability
Employee development & tuition reimbursement programs
Free or discounted employee tickets to Interlochen performances and events *some exceptions apply
Early event ticket purchase before general public sales begin
Free Stone Cafeteria meal on shift
Dennison Recreation Center accessibility (includes spouses)
Priority access to Interlochen employees at Pitter Patter Day Care Center (less than one mile from campus)
Employee Referral Program (cash payments)
Tuition discounts for employee’s children at Academy, Camp and Interlochen Online

ISO unscripted Editors for a new daily syndicated Crime Series. Please only apply if you have prior True Crime Credits

Please send resumes
Thank you!

Returning cooking competition series seeking Editors to join the team! Applicants should only apply if they have prior food or competition experience (food competition a plus). The positions would start in May and run through July.

Daily rate for a 10 hour day.

Please read this entire post. We will get a huge response and so if you want to be considered, then please give me what I have requested. If not, then your response will be deleted since we'll get what we are requesting from so many others.

I'm looking for your best daily rate for 5 - 6 days per week until we're finished.

I am looking for an experienced documentary editor for a project I'm producing. I want someone that is creative for this project, that really understands storytelling, and someone that can create everything needed including photoshop and after effects elements.

I am looking for someone that is easy to work with, flexible, and very creative. You will be working with the director on this edit, and we want someone that has a lot of creativity. This documentary is about an internationally known artist and the making of his hit song and music video. Please include a cover letter as to why you think you're the right person for this job.

You must use Adobe Premiere Pro for the edit.

We're located in Los Angeles, CA and we'd like to find someone local. But we are open to someone doing the job remotely as well.

If you are an experienced editor that has edited full length feature documentaries, then please send me links so that I can see your documentary work where you did the entire edit yourself. If you don't have this, then please don't apply.

Again, I am looking for a professional that has a lot of experience. This job will last for a few months. Please give me your best daily rate for this job.