Permits, Locations, Cast/Crew Management, Insurance Management/COIs, Payroll, etc.
Summary
Lauren has been working in the production office for more than 12 years, working her way up from PA to Producer. Well versed in Boards & Budgets, Global Film Travel, Global Film Incentives, Cast/Crew/Vendor Management, Production Insurance, Co-Prods, etc.
Credits
3/24 – 4/24
Producer – Christmas Movie Magic
Film (Feature-length) — Aunt Elfie Films LLC Details
3/24 – 4/24
1/24 – 1/24
Supervising Producer – Ape vs Mecha Ape
The Asylum — Film (Feature-length) — Atomic Blonde Entertainment Details
1/24 – 1/24
Made sure everything was on track for the studio, payroll management, budgetary involvement, cast/crew management during prep & production.
12/23 – 12/23
Production Supervisor – Monsters Mash
The Asylum — Film (Feature-length) — Atomic Blonde Entertainment Details
12/23 – 12/23
Made sure everything was on track for the studio, payroll management, budgetary involvement, cast/crew management during prep & production.
8/22 – 12/22
Production Coordinator – Strange Darling
Miramax — Film (Feature-length) — One Night Productions Details
8/22 – 12/22
• As Production Executive, I was dispatched to location to observe and report on production progress and pitfalls • Attended cost report meetings with executives and accounting departments, packaged all production deliverables on features • Created wrap memos, assisted with reshoots/pickups • Created and fine-tuned endcrawl credits, per union specifications, for Post-Production Department • Coordinated EPK shoot days with studio Marketing Department, concurrent with main unit filming • Oversaw and submitted production reports to studio on all production days • Distro’d all communications to crew, studio executives, and all departments.
5/21 – 12/21
Assistant Production Coordinator – Harvest Moon
Miramax — Film (Feature-length) — Miramax Films Details
5/21 – 12/21
• Created and fine-tuned endcrawl credits, per union specifications, for Post-Production Department. • Oversaw and submitted production reports to studio on all production days. • Distro’d all communications to crew, studio executives, and all departments. • Supervised travel for all crew and studio executives.
4/21 – 8/21
Assistant Production Coordinator – Sick
peacock — Film (Feature-length) — Miramax Details
4/21 – 8/21
Assisted the PC in any and all office duties including setting up the office for entire crew, distro'd all materials studio wide, assisted completing the PRs every day, travelled crew from out of state and dealt with all hotels/car rental vendors/etc., help with eliminating L&D at end of show, coordinated all shipping units of assets back to the studio, etc.
11/19 – 12/19
Co-Producer – Deadly Illusions
Netflix — Film (Feature-length) — Kiss and Tale Productions
11/19 – 12/19
5/19 – 11/19
Producer – Tow
Tubi — Film (Feature-length) — ShadowMachine
5/19 – 11/19
Unions
Self ID
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Recos
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Dan Lawler
Line Producer
On our very first show together, "He's All That" for Miramax / Netflix, Lauren Hood proved herself absolutely invaluable to the production department. We prepped & shot in Los Angeles during the height of the Covid-19 pandemic lock-downs and, even wi ...MORE...
th all of the new & ever-changing public safety guidance and strict on-set protocols, Lauren was able to handle everything that came her way with ease. Over the next few years after this film, Lauren is always the first person I look to hire on a new production. A+. Recommend.
- Dan was Production Supervisor and Lauren was Assistant Production Supervisor on He's All That
Dan Lawler
Line Producer
I have worked with Lauren on several productions since 2020, and I always look for an opportunity to hire her again! On "Strange Darling", Lauren was originally dispatched by the studio (Miramax) to oversee pre-production and issue progress reports. ...MORE...
Eventually, we had Lauren take over the production office (working as our IATSE 871 production coordinator). The studio, our director, and even our Transpo Coordinator said that Lauren helped change the culture of the show, and ferried the production to a successful shoot. Every show would be better off if they had a Lauren E. Hood.
- Dan was Line Producer and Lauren was Production Coordinator on Strange Darling
Education
Class of '11
Scottsdale Community College
Associate's in Film Production
Class of '11
UCLA
Certificate of Completion in Producing
Class of '07
Belmont University
Bachelor's in Business
My Gear
Skills
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