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Looking for an assistant camera with knowledge and experience with FX6 cameras for a verite sports docu follow series. Will also need to be able to media manage footage from the day and back up media to hard drives.

In addition to rate above a kit rental per day will be provided for laptop with shot put pro or resolve to download footage to drives.

Hello!

Looking for someone to camera assist at a race event 6/6-6/9. We are using FX6s, FX3s, and Sony RXOs. Our Cam Ops are pretty self sufficient, but you will be there with another AC for anything that may come up.

It's a very run and gun style. We are a documentary series shooting the Mazda Cup Race.

I know you may not live close by so we can provide a hotel room for the duration of the shoot.

500/12

Seeking an AC to work with our DP and another camera operator on the Alexa Mini for 3 days in Chicago. (2 cam ops and 1 on sticks)

Low budget documentary with primarily sit down interviews and a support group.

Week of June 10th

Hi!

Looking for an AC/DIT local to Fajardo, PR to join a small documentary team filming at the seaport and on boats. We work in small two-person teams, so looking for someone with experience who can help our dp/producer in the field and handle media management off the field. We are working with Sony FX9 and FX3 and gopros. Some producing experience would be an added bonus. 5 day week

Thanks!

We are looking for an AC/PA all in one for an indy doc shoot. Two days of verite shooting. We will need someone to help with gear, meals etc. Awesome super talented team!

Assistant Camera needed to work with 3 Alexa Mini's with 2 Cam ops and lock down on sticks, Low budget documentary shooting primarily sit down interviews and support group.

Shoot looks like 5/27-5/30 or 5/31. Prep would be Fri 5/24, and return would be fri 5/31 or Mon 6/3.

Someone with car would be ideal.

750/12

Looking for an experienced LOCAL Camera Assistants that has worked on numerous reality docu-series projects. Must have at least 2 recommendations and credits. Non-locals will not be considered, unless they are able to work locally.

Looking for an experienced LOCAL Camera Assistants that has worked on numerous reality docu-series projects. Must have at least 2 recommendations and credits. Non-locals will not be considered, unless they are able to work locally.

Documentary covering athletes and a sporting event in Boston. These are tentative and flexible dates that are dependent on who wins what game and what happens during finals. 12 hour days, with mixed coverage of event, broll, and interviews.

AC needed with reality experience, please send credits and references. Sony FX9

/12

Looking for a multiple hat wearer in our budget that has experience pulling focus yet may have experience as a second camera. Additional opportunities are available but this project is microbudget. thanks!

Would be great if you can pull focus as primary role and second camera on just a few days.
Rehearsal and principal production start June 20th through July 3, 2024. We are looking for experienced AC only.
30min bilingual short film we are making will model for teens how to navigate biases in their own community and the importance of acceptance

ISO an AC to work with a small cast and crew. This candidate should be iPhone knowledgeable and comfortable using it as the camera.This shoot will be ran by remote producers via zoom and you should be ok with working and supporting producers ask on set.This could be an ongoing gig a few times a month for the right person.

Rate is 350/12

In search of a Assistant Camera (AC) for a two-day shoot in Jacksonville, FL scheduled for June. The specific dates are yet to be determined, but we are currently in the process of assembling the crew. The initial day will involve verite filming and potentially capturing some B-Roll footage, while the second day will primarily focus on conducting interviews. A Supervising Producer will be present to oversee the verite filming process, provide assistance, and prepare questions for the interviews. A designated room will be available for you to store your equipment and access any necessary supplies.

Experience working with a small crew (7) is a plus;

Supervising Producer & Production Manager will be in the field in addition to;

Cam Ops (x2)
AC
Audio
PA

Talent is a well known Social Media Influencer and Rapper. Positive attitued and engery is also a plus. Ultimate goal is being able to work together as a team to produce the best results for this new project.

The exact dates are still pending but are expected to fall within the timeframe of 6/13/2024. Kindly ensure your availability aligns with the indicated timeframe.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

Supports the camera team in various technical and logistical aspects of production. Their responsibilities include assisting with equipment setup, maintaining camera gear, managing batteries and memory cards, and ensuring smooth operation during filming. The AC works closely with the Director of Photography to achieve desired shots and camera movements.

National Association of Black Accountants (NABA) is hosting an annual conference in Las Vegas 6/18 - 6/21. Our team will be filming the event to produce stock footage style archival content and post-produce a highlight sizzle; along with additional marketing content.

Applicant should be capable of working with steadicam op to film cinematic broadcast style broll. Candidate must own gear or have access to it. (Follow focus and AC monitor). Will also have a half day prep to set up if needed. Please provide reel cinematic work.

Teams will be on a 12hr day but likely wrap in 8-10. There will be plenty of breaks and downtime.

Thanks!

Must be local to location (or willing to work as a local).

Seeking a 2nd Camera Operator to to capture interviews and b-roll for our client in La Jolla, CA. This is for a conference/event.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space.

Gear Required: Camera, Tripod, Stabilizer

Call time is TBD

Rate is $250 for five hrs on set, $20/h after that. We do not expect the shoot to go into overtime.

Must be local to location (or willing to work as a local).

Seeking a DP to to capture interviews and b-roll for our client in La Jolla, CA. This is for a conference/event.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space.

Gear Required: Camera, Tripod, Stabilizer, Three-Point Lighting.

Call time is TBD

Rate is $350 for five hrs on set, $50/h after that. We do not expect the shoot to go into overtime.

Looking for a DP who can work independently as well as in a team and can handle smaller corporate style shoots as well as larger commercial projects. Access to additional crew is a plus. Looking for the best rate and gear package for ongoing work and relationship.

Rate depends on gear included.

Hi! We're looking for an experienced shooter that can capture some run & gun doc-style BTS, as well as some high quality still photos, for a shoot we're doing with a major beverage brand.

This will be a 3 day shoot: the 1st day is June 1st, and the 2nd two days are tentatively June 12th and June 13th (subject to change).

On the 1st, we'll be asking you to get BTS of us following a fleet of trucks as they drive around NYC. Then, we'll be setting up & capture some footage at a large event in Brooklyn, which we'll also ask you to get BTS of.

Details on the June 12th / 13th shoots are still TBD, but will focus on a few athletes, and involve a helicopter jump inside of a sports stadium, skating through different parts of NYC, and more.

If you're interested, please reach out, send a link to your portfolio, and let us know what equipment you'd be using the capture the footage.

Editing is a plus-- not required, but if you'd be able to edit the photos let us know!

Final pay rate TBD depending on experience.

Payments will be sent net30, and we can send them through check, Zelle, Paypal, etc-- we will ask what works best for you.

Need a gimbal op/b-roll shooter to capture great visuals of an event on 5/29. There will be two shifts - 10-2 and 7-11. Footage will need to be dumped after shoot is finished. Please provide examples of similar work that you’ve shot and let me know your best rate. 2 4-hour sessions. 10-2 & 7-11. 4K resolution. What camera will you be shooting with?