Apply to this Audio Assistant Job

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

I need an A2 for a horror adaptation shooting on Thursday, 5/9. The film is about Jim Jones and Jonestown. We are shooting a lot of dialogue heavy scenes and we need an A2 to help our audio engineer hold a second boom mic. The shoot starts at 4pm and will go into the night/early morning.

Rate is $400 flat. No gear needed. The shoot is in Southlake, TX. Must provide your own transportation/lodging. No mileage or travel fees.

Need A2 to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. Your job should be solely supporting Audio Sup with the basics - boom and batteries. Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on! Thanks!

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

We are looking for an Audio Engineer to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience working with Behringer X32 or Allen and Heath SQ boards is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

We are looking for a PRODUCTION SOUND RECORDIST / MIXER—ideally someone with 1) extensive experience capturing sound from the sound engineers running LIVE EVENTS and 2) experience simultaneously boom operating and sound mixing on-the-fly interviews in non-production environments.

We are shooting a corporate event at U.S. Bank Stadium — it’s a Gala style event where our key talent will be speaking on stage. We’ll need you to capture audio from the live event team’s microphones by recording a “line out” feed from the sound board controlled by the on-site live event sound engineers. Our producers will help coordinate this prior to the event so the live event team will be aware of your needs. We ask that you join one email thread with the event’s sound engineer to help streamline this communication.

This job will take place on MAY 16th between 3pm and 9pm.

Production / Gear Needs:
1 professional sound mixer for dialogue
intended to record dialogue from wireless mic kit and/or boom mic from on-the-fly interviews
1 additional sound mixer to record the “line out” feed from live event sound engineer
1 adapter kit + misc. cable kit to receive “line out” feed from live event sound board
we will coordinate with the live event team but please prepare to bring multiple options to receive a “line out” feed (XLR adapters, ¼ inch cables/adapters, etc)
1 wireless lavalier mic kit
ideally an RF-interference free solution as this location will be filled with interference
we have access to 2x DPA 6061s and 1x Tentacle 32-bit Sync-E Recorder if we need additional gear

Post Production Needs:
We will need “polywav” files with each individual audio track isolated for mixing in post production.

Some things you should know about this job:
- This job is based in Minneapolis, MN. If you do not live in the Minneapolis Area—please do not apply.

Guaranteed dates:
THURSDAY MAY 16TH

Pay:
~$750 for 6 hours (3:00pm-9:00pm). Unfortunately our budget is fixed. We can’t exceed $750/6 hours, so if your rate is higher than that, you need not apply.

We are dedicated to building diverse teams that fuel an authentic workplace and sense of belonging for each and every employee. We know applying for a job can be intimidating, please don’t hesitate to reach out — we encourage everyone interested in joining us to apply.

WOAH LABS provides equal employment opportunities (EEO) to all employees and applicants for employment without regard to race, color, religion, sex, national origin, disability, genetics, gender, sexual orientation, age, marital status, veteran status. In addition to federal law requirements, WOAH LABS complies with applicable state and local laws governing nondiscrimination in employment in every location in which the company has facilities. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training.

Must be local to location (or willing to work as a local).

Seeking a Sound Mixer to assist with capturing interviews and b-roll for our client in Smithville, MO. This is for a local branch of a nation-wide restaurant chain.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space.

Gear Required: External Recorder, LAV Mic, and Boom Mic with Mic Stand

Call time is TBD

Rate is $350 for five hrs on set

Looking for an audio mixer with extensive verite documentary experience. Important to note that we are often filming gaming competitions, so are looking for someone who is experienced working in these fast paced environments and mic’ing multiple subjects with ease. Definitely need someone who is calm under pressure.

Ideal candidate will have their own equipment, 788T with minimum of 5 open tracks and a boom.

Please send over your credit list and please highlight your verite experience when applying.

Rate is $650/12 + $450/kit

Searching for an Audio Mixer with their own gear to work on a small crew filming a documentary outside of Houston..
 
Essential responsibilities will include but not limited to:
* Film verite’ and a variety of sit down and on the fly interviews
Basic Requirements:
* 5+ years of filming experience required
* Willingness to work overtime and be flexible with hours
* Must be able to pick up and carry at least 50lbs
* Must be 18 years or older
* Must be okay working 12 hour day
* Must have a valid driver's license, reliable vehicle, car insurance, and a satisfactory driving record (we cover local mileage reimbursement, but do not cover travel or accommodations). 
Additional Requirements:
* Required On-Site: This position is required to be performed full-time from a designated worksite outside of Houston.
Pay Range: $42-51/hour. Will also pay a gear rental fee of $300/day. 
The amount offered and paid depends on factors including, but not limited to, engagement length, production location, budgetary considerations, and the individual’s skills and experience.
 
It is our policy is to provide equal employment opportunities to all applicants and employees without regard to race, color, religion, creed, gender, gender identity or expression, age, national origin or ancestry, citizenship, disability, sexual orientation, marital status, pregnancy, veteran status, membership in the uniformed services, genetic information, or any other basis protected by applicable law.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Sacramento, CA for 2 Days.

FRIDAY 05/17/24
SATURDAY 05/18/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget with a rate of $800/Day (including audio package) for this Local Hire Role. 2 total working days for a Local Hire operating on this fixed budget. The days will be shorter 6-8hrs TBD.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

We are looking for a solid Sound Mixer to join our team on May 13th and 14th for season 3 of a true crime series for Oxygen.

Filming will consist of sit-down interviews. Audio files will be uploaded immediately after the interview wraps for transcription, as well as offloaded to the physical drive. We will be shooting on two Sony FS7s or comparable Sony cameras - Exact cameras TBC. A Post Bible will be provided upon hire.

When applying, let us know if you can provide audio equipment.

Rate: $600/12 + $300 kit rental
Date: May 13th & 14th
Location: Pensacola, FL

If you are interested and available, please send me your resume!

SHOW DESCRIPTION - 

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.



POSITION SUMMARY

- We film on Canon 5D Mark IVs.
- We record at 48000 khz, 24 bit, shoot at 29.97 drop-fps and do not require timecode jamming.
- Audio must be recorded to separate tracks - we have to be able to split audio. Mixdowns and backup tracks are welcome but no mixdown as primary track.
- Hops are not necessary but welcome if no additional cost.
- Minimum of (1) IFB required for the producer to monitor audio.
- At least two subjects, no more than four, requiring wireless lavalier microphones throughout the interview and following activities.
- Booming additional subjects and activities will be required.
-Mic redundancies required for sit-down interviews when there are 2 subjects (aka 2 lavs and 2 booms).
- We will provide an SD, CF card or both for each day we film and then collect upon wrapping.




REQUIREMENTS / QUALIFICATIONS 

- Ability to troubleshoot technical difficulties
- Ability to work under stressful and extreme conditions, as well as quickly adapt to last-minute schedule changes
- Be teachable and willing to learn new workflows
- Ability to work under strict deadlines