Apply to this DIT (Digital Imaging Technician) Job

Looking for a union DIT local to Scottsdale, AZ
Needed onsite for a large multi-cam show.
ENG crews with additional rigged cameras operated by switcher in a control room.

Rate- $73/hr

Start Date 5/28
Wrap date 6/24

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

Looking for a DIT/media wrangler for a 1-day shoot . We will be filming testimonials at a stage. 2 camera FX6 shoot. Need someone to transfer footage on 1-2 hard drive(s) throughout the day, as well as scan footage to ensure nothing is corrupt, and to deliver files to client upon end of filming day.

Location: Los Angeles, CA (Westwood area)
Date: May 2nd 2024

Please submit resume and kit info for consideration.

We are looking for organised individuals required with strong technical knowledge and works well independently in small teams. Self shoot skills is advantageous. You will be working on an observational doc series with self shooting PD teams. There may be shift work involving nights.

You will need to be highly organised to log clearly and highlight missing footage and assist with collating footage related to different stories shot. Knowledge of labelling archive footage useful. Experience working on blue light programmes would be preferred, but not essential, as would previous experience working on observational documentaries or follow docs. You must have a full drivers license.

Must have experience of sound and handheld/rigged cameras. Be able to rig and stand in as sound recordist if we have sit down interviews etc. Oversee care of cameras, (across kit inventory making sure nothing is lost and contacting camera house if there are issues or if something is broken). You need to prepare all the workflows with the posthouse and ensure they are adhered to.

Looking for an experienced AC for a 1 day shoot.
We are filming 1 person sit down interviews and some scenic B Roll.
May need to also pull focus on 2nd Cam for interviews.
Will also be setting up cameras and some lights with the DP.

Filming on (2) FX9 Cameras.

Looking for a camera operator for a one day shoot in Beaverton. We will be filming interviews, broll, and product shots. Experience filming with Ronin's are a plus. Please respond with your gear list, previous work examples, and day rate. Thank you!

Looking for a local videographer for a 1 day shoot in Beaverton, Oregon on May 1st. We will be filming with an FX6 and a7siii and will provide the cameras, sticks, and a ronin RS2. We will be filming broll and interviews in 9:16 format. We are looking for a videographer that can provide lighting and additional camera support. If you have a local crew that you work with that would be a bonus. Total crew would be videographer + Gaffer + Sound recordist. Please respond with itemized rates, your gear list, and relevant examples of past works.

We’re gearing up for a Food delivery app brand project in BANGOR, MAINE. The idea is to create engaging content by visiting local restaurants that utilize the Food Delivery App.

The goal is to capture compelling moments with restaurant owners, showcasing their unique stories. It promises to be an enjoyable project filled with creativity and collaboration.


If you’re interested or have any questions, please apply with some previous work
and we’re going to be in touch soon!
Looking forward to the possibility of creating something fantastic together!

Need 2nd AC to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. Your job should be solely supporting cameras (we will have a Lead AC and Media Manager in tow), but looking for someone ideally not afraid to help a PA with a case either. Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on! Thanks!

We are shooting a corporate event at U.S. Bank Stadium and will need help setting up and operating multiple Sony mirrorless cameras.

This job will take place on MAY 16th between 3pm and 9pm.

We would love to rent any stabilization gear you have (gimbal, etc)!

Camera Operating:
- ensuring proper exposure for multiple cameras set up on tripods (camera settings will be dialed in prior to your arrival)
- making sure that the main speakers are being captured by our all 3 of our cameras on tripods
- steadily tracking/capturing key talent with stabilization equipment (gimbal, etc)

Some things you should know about this job:
- This job is based in Minneapolis, MN. If you do not live in the Minneapolis Area—please do not apply.

Guaranteed dates:
THURSDAY MAY 16TH

Pay:
~$350 hours for 6 hours (3:00pm-9:00pm). Unfortunately our budget is fixed. We can’t exceed $350/6 hours, so if your rate is higher than that, you need not apply.

We are dedicated to building diverse teams that fuel an authentic workplace and sense of belonging for each and every employee. We know applying for a job can be intimidating, please don’t hesitate to reach out — we encourage everyone interested in joining us to apply.

WOAH LABS provides equal employment opportunities (EEO) to all employees and applicants for employment without regard to race, color, religion, sex, national origin, disability, genetics, gender, sexual orientation, age, marital status, veteran status. In addition to federal law requirements, WOAH LABS complies with applicable state and local laws governing nondiscrimination in employment in every location in which the company has facilities. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training.

I am the production manager on a documentary series for a major sports association that will be airing on a ESPN.

Looking for a local Philly AC for a field shoot on 4/27.

The series is a typical documentary series, featuring: run and gun components, sit-down interviews, on-the-fly interviews, scenics, and "hero/portrait" shots.

We will ask AC to pick up the gimbal bcam (usually FX3 on Ronin RS3) to shoot a few scenes.

We have $650/12 budgeted.

We are filming a sports documentary series for a major sports association that will air on ESPN.

We are looking for a Media Manager for a field shoot happening in the Philly area on 4/27.

The series is a typical documentary series, featuring: run and gun components, sit-down interviews, on-the-fly interviews, scenics, and "hero/portrait" shots.

Role would be to:
Back up using ShotPutPro or similar MD5 checksum software
Input footage descriptions and information into a copy of the footage log
No transcoding, no proxies, no coloring

500/12 + 50 kit fee = $550/per day

In search of a Assistant Camera (AC) for a two-day shoot in Jacksonville, FL scheduled for June. The specific dates are yet to be determined, but we are currently in the process of assembling the crew. The initial day will involve verite filming and potentially capturing some B-Roll footage, while the second day will primarily focus on conducting interviews. A Supervising Producer will be present to oversee the verite filming process, provide assistance, and prepare questions for the interviews. A designated room will be available for you to store your equipment and access any necessary supplies.

Experience working with a small crew (7) is a plus;

Supervising Producer & Production Manager will be in the field in addition to;

Cam Ops (x2)
AC
Audio
PA

Talent is a well known Social Media Influencer and Rapper. Positive attitued and engery is also a plus. Ultimate goal is being able to work together as a team to produce the best results for this new project.

The exact dates are still pending but are expected to fall within the timeframe of 6/13/2024. Kindly ensure your availability aligns with the indicated timeframe.

We're seeking a DP and local crew for a 2-day fairly run and gun doc-style shoot in Sacramento for a large non-profit organization. Owner-operators are encouraged to apply with additional budget for camera and G&E kit rentals. Sony FX9/FX6 or comparable would be sufficient.

The shoot will consist of formal interviews, OTF's, stylized b-roll and some verite. The crew will be paid as employees via Media Services. Candidate needs to be experienced with fast-moving unscripted production where things can change quickly.

In search of a Camera Operator for a two-day shoot in Jacksonville, FL scheduled for June. The specific dates are yet to be determined, but we are currently in the process of assembling the crew. The initial day will involve verite filming and potentially capturing some B-Roll footage, while the second day will primarily focus on conducting interviews. A Supervising Producer will be present to oversee the verite filming process, provide assistance, and prepare questions for the interviews. A designated room will be available for you to store your equipment and access any necessary supplies.

Experience working with a small crew (7) is a plus;

Supervising Producer & Production Manager will be in the field in addition to;

Cam Ops (x2)
AC
Audio
PA

Talent is a well known Social Media Influencer and Rapper. Positive attitued and engery is also a plus. Ultimate goal is being able to work together as a team to produce the best results for this new project.

The exact dates are still pending but are expected to fall within the timeframe of 6/13/2024. Kindly ensure your availability aligns with the indicated timeframe.

NLV will be hiring videographers to help us cover a high school lacrosse event at DE Turd in Frederica, DE. This event will be held on 6/29 and 6/30 and will pay a flat rate of $250.00 per day. Please feel free to reach out for additional information. You may also apply on the NLV website.

All gear will be provided by the company. There will be an Event Manager onsite who will set up equipment and give direction throughout the day. Must sign up for both days. Meals will also be provided during shift hours.

What: Lacrosse tournament
Where: Frederica, DE
When: June 29-30, 2024
Why: $250/day. Meals included.

Responsibilities:
- Assist with set up upon arrival
- Operate camera with tripod mounted atop podium ladder or scaffolding
- Monitor and maintain power, storage, and bitrate
- Help break down equipment at the end of the day

Qualifications:
- Must have experience with sports video production.
- Must have transportation to athletic facility.
- Must be able to climb ladder or scaffold.
- Must be 18 or older.
- Must be eligible to work in US.
- Must be capable of all day activity, standing / walking for long periods.

NLV will be hiring videographers to help us cover a high school lacrosse event at Yale University in New Haven, CT. This event will be held on 6/15 and 6/16 and will pay a flat rate of $250.00 per day. Please feel free to email us at [Please reply using Staff Me Up] for additional information. You may also apply on the NLV website.

All gear will be provided by the company. There will be an Event Manager onsite who will set up equipment and give direction throughout the day. Must sign up for both days. Meals will also be provided during shift hours.

What: Lacrosse tournament
Where: New Haven, CT
When: June 15-16, 2024
Why: $250/day. Meals included.

Responsibilities:
- Assist with set up upon arrival
- Operate camera with tripod mounted atop podium ladder or scaffolding
- Monitor and maintain power, storage, and bitrate
- Help break down equipment at the end of the day

Qualifications:
- Must have experience with sports video production.
- Must have transportation to athletic facility.
- Must be able to climb ladder or scaffold.
- Must be 18 or older.
- Must be eligible to work in US.
- Must be capable of all day activity, standing / walking for long periods.

Hello!

Looking for a Cam Op to help us film some outdoor shots next week on May 2nd. Prep day May 1st & wrap May 3rd.

Reality TV / Documentary style

Still confirming Location, but likely Santa Clarita

Filming:
- Outdoor exteriors of our location in an empty field
- Capturing scenes
- Showing science experiments for education

Happy to discuss on a call about gear, rate, and what we will be filming.

Local Camera & Drone Operator needed for 2-3 days of interview and B-Roll footage, following a pro running team in Boulder, Colorado. Experience necessary, and owned gear is preferred but not essential. Willing to pay an additional rental fee for any gear. You will be working directly with the Producer/Director to capture supporting footage for a sizzle reel.

Additional compensation for gear rental.