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Looking for an experienced LOCAL Media Manager that has worked on numerous reality docu-series projects. Must have at least 2 recommendations and credits. Must be versed with shotput pro and extremely organized. Must be able to communicate with post production team. Non-locals will not be considered, unless they are able to work locally.

Looking for an experienced LOCAL Media Manager that has worked on numerous reality docu-series projects. Must have at least 2 recommendations and credits. Must be versed with shotput pro and extremely organized. Must be able to communicate with post production team. Non-locals will not be considered, unless they are able to work locally.

Working on a non-union sports doc series and I am looking for a local experienced media manager to join us for a 1 day shoot in the Saratoga Springs area. Also open to Albany res who can work locally for the day.

Shoot Day: 5/23/24
Day rate: $500/12 + 50/kit fee

• 2 Cam interviews shooting on (2) Alexa Mini LF, so prior knowledge and experience with the format is preferred along with knowledge of codex compact cards.
• Need someone who is organized in collecting and offloading media, maintaining logs up to date IN REAL-TIME, and following our editorial workflow as specified.
• Production will supply drives and card readers.
• Must have your own kit: MAC setup and run Shotput Pro for checksums.
• NO Proxies or color correcting on-site, just straightforward media managing.
• Lodging is NOT provided. LOCALS only, please.

Please send along a pdf resume or website when applying along with your availability.

Documentary covering athletes and a sporting event in Boston. These are tentative and flexible dates that are dependent on who wins what game and what happens during finals. 12 hour days, 2 cameras, with mixed coverage of event, broll, and interviews.

Based on a 12 hour day plus $50 kit fee.

Documentary covering athletes and a sporting event in Boston. These are tentative and flexible dates that are dependent on who wins what game and what happens during finals. 12 hour days, 2 cameras, with mixed coverage of event, broll, and interviews.

Based on a 12 hour day plus $50 kit fee.

We are filming a sports documentary series for a major sports association that will air on ESPN.

We are looking for a Media Manager for a field shoot happening in the Indianapolis area on 5/16.

The series is a typical documentary series, featuring: run and gun components, sit-down interviews, on-the-fly interviews, scenics, and "hero/portrait" shots.

Role would be to:
Back up using ShotPutPro or similar MD5 checksum software
Input footage descriptions and information into a copy of the footage log
No transcoding, no proxies, no coloring

500/12 + 50 kit fee = $550/per day

Media manager needed for competition series filming in Fletcher, NC. 20-23 total shoot days. Kit provided.

***PLEASE READ THE DESCRIPTION***


We are currently seeking a skilled assistant camera with knowledge in DSLR cameras for a project in Hialeah, FL Sony A7s III, Canon 5D Mark IV.

The shoot will take place on Saturday May 25th (Full Day)

The purpose of the shoot is to capture marketing and testimonial videos for a dental practice, both within the office and some exterior shots.

Assistant Camera Responsibilities:

Responsible for operating the camera and should have a strong understanding of the Sony A7s III.
Video Production will be 8-10 hours long per film day
Contractors are responsible for the provided photography shot list
Will be provided camera settings for photos and do's and dont's for photos
Contractors are responsible for monitoring the camera during filming for audio and focus
Contractors are to assist with the production wrap

Watching and maintaining composition and monitoring audio as well along with color balance for interview cameras, and keeping everything in sharp focus throughout each interview.

Assist moving lights and cameras if based on set changes and lighting preferences.

Have good knowledge of the Sony full frame DSLRs,

Be efficient and organized during video shoots, and pay close attention to the needs of the director.

Have a strong understanding of the typical video production workflow.

You will be working alongside a Progressive Dental Videographer who will be flying in from Florida. Prior to the shoot, we will contact you with detailed information regarding shoot location, filming times and director contact information.

Progressive Dental will reimburse up to $20.00 each film day for lunch plus tip if not provided by the client.
Progressive Dental does not reimburse for alcohol or tips over 20%.
In order to be reimbursed for lunch, an itemized receipt along with tip receipt must be provided.
Progressive Dental reimburses for mileage.
*Mileage is reimbursable outside of 25 miles from the shoot production.
Based on the most up to date rate from the IRS. Please add mileage amount to your invoice and submit a screenshot of the distance via Google Maps or GPS application you use.

NO equipment required
MUST live within an hour of location (mileage will be reimbursed at GSA standard rate)
Medical or dental shooting experience is considered a plus

If you meet the criteria mentioned above and are available for the specified date(s), we would love to consider you for this project.

Please let us know your interest and availability at your earliest convenience.

$325 per day rate plus Mileage

Hello!

We are looking for a one man team who is based in Ft Lauderdale, FL. We are looking for a DP with their own gear, who is able to run sound.

This is a small, single camera interview for one day with one interviewee. Many more details available, please reach out if interested!

$850/12 for labor, gear will be paid for additionally based on inventory

Please DO NOT APPLY if you are not available May 17th, 2024.
Please DO NOT APPLY if you are not local to Ft. Lauderdale or immediate vicinity - there will be no travel budget available.

Looking for a reliable and reputable DP with extensive experience in shooting green screen. We will be setting up a green screen in a hotel meeting room and the key has to be immaculate.

You are someone who:
• Owns a cinema camera package & lenses (ARRI or RED only, please specify)
• Has a relationship with a G&E team with a robust lighting package, at least 1-Ton, portable fabric green screen (8x12 minimum)

Please respond listing your camera package, lenses, and a high-level overview of lighting equipment you own or have direct access to. Please also mention if you have a team to support you. Thank you.

Please DO NOT APPLY if you are not available May 17th, 2024.
Please DO NOT APPLY if you are not local to Ft. Lauderdale or immediate vicinity - there will be no travel budget available.

Looking for a reliable and reputable DP with extensive experience in shooting high-end interviews.

You are someone who:
• Owns a professional camera package & lenses (please specify)
• Owns or has direct access to professional lighting and grip equipment (please give high-level overview of lighting package)
• Has a relationship with a team of frequent collaborators whom you can bring onto the project (i.e. B-Cam Op with same camera as yours, gaffer, grip)

Please respond listing your camera package, lenses, and a high-level overview of lighting equipment you own or have direct access to. Please also mention if you have a team to support you. A reel of documentary work with interviews and b-roll is preferred.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

Documenting behind the scenes captures essence of the production process. They will primarily follow interns who will be on the production set. They will skillfully navigate the chaos of the set to immortalize candid moments, revealing the dedication and collaboration of the intern team.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

Supports the camera team in various technical and logistical aspects of production. Their responsibilities include assisting with equipment setup, maintaining camera gear, managing batteries and memory cards, and ensuring smooth operation during filming. The AC works closely with the Director of Photography to achieve desired shots and camera movements.

Looking for an experienced LOCAL Camera Assistants that has worked on numerous reality docu-series projects. Must have at least 2 recommendations and credits. Non-locals will not be considered, unless they are able to work locally.

Looking for an experienced LOCAL Camera Assistants that has worked on numerous reality docu-series projects. Must have at least 2 recommendations and credits. Non-locals will not be considered, unless they are able to work locally.

Looking for a drone op who must own or have access to a drone similar or comparable to Phantom Pro 4 that shoots in 4K at 60fps to capture b-roll.

This is a 5 hour shoot in Zionsville, IN.

Please include a reel for consideration.

Rate is $300 for 5 hours guaranteed.

Looking for a drone op who must own or have access to a drone similar or comparable to Phantom Pro 4 that shoots in 4K at 60fps to capture b-roll.

This is a 10 hour shoot in Columbus, OH.

Please include a reel for consideration.

Rate is $425 for 10 hours guaranteed.

Looking for a drone op who must own or have access to a drone similar or comparable to Phantom Pro 4 that shoots in 4K at 60fps to capture b-roll.

This is a 10 hour shoot in Cincinnati, OH.

Please include a reel for consideration.

Rate is $425 for 10 hours guaranteed.