Apply to this Media Manager Job

Looking for someone with media managing/DIT experience and open to being part of a small team wearing multiple hats. Ideal candidate also has some AP or PC experience. Working in high security situations as part of a two person team, so some experience with run and gun docs-filming is also a bonus. Must be local to Atlanta or willing to work as a local.

We are looking for a Media Manager/Record Operator to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 16-19, with the Conference happening on September 16-18.

Experience working with Blackmagic Hyperdecks is preferred.

We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

Looking for an experienced Media Manager for a five-six day shoot, in Ventura. Must have at least five years experience as a DIT or Media Manger. Must have own gear and be available for a prep meeting prior to start date.

Looking for those who can safely return home after a 12 hour day and be back for an early call time if necessary. Accommodations and mileage are not provided. Box Rental available for Kit

Looking for an experienced LOCAL Media Manager that has worked on numerous reality docu-series projects. Must have at least 2 recommendations and credits. Must be versed with shotput pro and extremely organized. Must be able to communicate with post production team. Non-locals will not be considered, unless they are able to work locally.

We seeking a production team of two, including a Lead Videographer and a Second Shooter, to join us in creating high-quality content for a medical aesthetic client.

SUBMISSION REQUIREMENTS
- Please send video/photo samples showcasing your interview and b-roll capabilities.
- Photo samples should include portraits, product shots, and images of medical practices (e.g., patient/doctor interactions or treatments).

LOCAL APPLICANTS ONLY
- No lodging accommodations will be provided.
- When applying, confirm if you are located within 2 hours of the filming location.

ROLE RESPONSIBILITIES
As part of our team, you will be instrumental in capturing video and photo content for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:
- Collaborating with our client to understand their vision and requirements.
- Conducting scripted interviews with two-camera setups.
- Capturing captivating still shots for marketing campaigns.
- Filming b-roll footage from multiple angles to showcase non-invasive medical treatments.

QUALIFICATIONS
To excel in this role, you should possess:
- Experience setting up two-camera interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging b-roll footage.

ADDITIONAL INFORMATION
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a remote Producer who will be streaming for the first half of the day.
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

GEAR REQUIREMENTS
- Cam A: Preferably a Sony digital camera
- Cam B: Another camera that can also produce high-quality photos
- 24-50mm f/1.4 lens: Preferably a prime lens for interviews
- 24-70mm lens: For capturing b-roll footage
- 16-35mm lens: For office coverage (preferred but not required)
- 2 Tripods
- Teleprompter
- Laptop: Preferably an Apple MacBook, but not required for broadcasting live footage
- Computer/Laptop: For uploading content to a hard drive and shipping it to our office in Austin, Texas
- Audio: Preferably a lavalier (LAV) system
- Continuous lighting: For 1-subject interviews and treatments (if necessary)
- Slate

COMPENSATION

If both creators are coming on individually:
- Lead Videographer Rate: $550/8 hours + $500/kit + up to $50 for food
- 2nd Shooter Rate: $450/8 hours + up to $50 for food
- Additional Compensation: $100 travel day fee + gas reimbursement for contractors driving over 2 hours (one way) from their home to the shoot location

If you are coming on as a company:
- Day Rate: $1000/8 hours (for both creators)
- Overtime: $187.50 per hour
- Meal Reimbursement: Up to $100 per day
- Equipment Rate: $500 per day
- Additional Compensation: $200 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.

We have an exciting opportunity for a production team of two including a Lead Videographer & Second Shooter to join our team and produce high-quality content for a medical aesthetic client.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.

As part of our team, you'll play a crucial role in capturing video and photo content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our client to understand their vision and requirements.
- Conducting scripted interviews using two-camera setups.
- Capturing captivating still shots for marketing campaigns.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a remote Producer who will be streaming for the first half of the day
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

GEAR NEEDED:
Cam A: Preferably a Sony digital camera
Cam B: Another camera that can also produce high-quality photos
24-50mm f/1.4 lens: Preferably a prime lens for interviews
24-70mm lens: For capturing b-roll footage
16-35mm lens: For office coverage (preferred but not required)
2 Tripods
Teleprompter
Laptop: Preferably an Apple MacBook, but not required for broadcasting live footage
Computer/Laptop: For uploading content to a hard drive and shipping out to our office in Austin, Texas
Audio: Preferably a LAV (lavalier) system
Continuous lighting: For 1-subject interviews and treatments (if necessary)
Slate


If both creators are coming on individually:
- Lead Videographer Rate: $550/8 + $500/kit + up to $50 for food
- 2nd Shooter Rate: $450/8 + up to $50 for food
- Additional Compensation: $100 travel day fee + gas reimbursement for contractors driving over 2 hours (one way) from their home address to the shoot location

If you are coming on as a Company:
- Day Rate: $1000/8 (for both creators)
- Overtime: $187.50 per hour
- Meal Reimbursement: Up to $100 for food per day
- Equipment Rate: $500 per day

- Additional Compensation: Contractor will receive an additional $200 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Looking for a friendly, professional AC with Alexa Mini LF experience. This is for a docu-follow verite shoot. This Sports docuseries includes top talent and requires someone who can be respectful of talent's space and follow the lead of the director and DP

Rate is $450/12 NON negotiable

Looking for a Drone Op for a 5 hour shoot in Las Vegas to capture exterior shots. Our client is in the Solar Power panel space. Looking for a drone op who own or have access to a drone similar or comparable to Phantom Pro 4 that shoots in 4K at 60fps.

Please include your reel/website for consideration.

Looking for experienced VTR for a talking heads shoot. Would like to remote in a Creative that can't fly into NC on the 29th. Hire must have their own kit, kit fee included in rate.

Shoot date will land on 6/29. Please send your rate and confirm your availability for 6/29 for consideration. Thanks!

We are seeking a camera operator with a camera package and basic audio package to shoot in Neah Bay July 11-14. The job will require travel to Neah Bay from Seattle or surrounding area. Travel costs will be paid. We will put you up in a hotel in Neah Bay for the duration of the shoot.

The shoot requires you to be on a boat and the ability to capture underwater images with a GoPro or similar camera.

The rate is $1000 per day for two shoot days and $500 per day for two travel days.

Looking for a DP for a shoot Tampa, FL to shoot in a studio for a documentary on Funk Music.

Potential candidate would have their own gear (looking to shoot with 2 cameras, have lenses, monitors, tripods, etc). Any additional gear would be a plus (lighting, etc)

It would be ideal for the DP to come with local crew recommendations as the company is traveling for this shoot. We are in need of a sound op, DIT/AC, PA, and a gaffer.

Expertise with shooting docustyle interviews and live music performances is preferred.

Seeking a AC, with some basic knowledge of lighting for a 2 day micro scale commercial at Lagoonfest Texas on June 27 & 28. Will be needed as a general hand to help with Go-Pro's and very minimal lighting (flagging & a few LED panels we may use.) Overall looking for a team player who's game to help with anything, we're a very small team. Should be a fun day. Must bring swimwear as we will likely be in the water for a few parts of the day. 250 for 10 Hours, 1 meal provided, second day is only 8 hours.

Looking for a DP with a camera to film a short sit down interview. Must have camera and small light kit. Must know beauty lighting as well. Our subject is a female model.

It's a plus, but not necessary, if you also have a lav mic.

Please submit your gear list with your submission.

Looking for a Cinematographer or Camera Operator to work on a very short film submission to SaberComp 2024. Having your own gear would be nice, but not necessary. We'll be bringing jib / dolly/ lights and power ourselves. A familiarity with Sony FX3 type rigs is a huge plus.

This is a lightsaber / action type film so reels/portfolios with shots like that in them will be a huge win for us. And any collaboration on lenses and the shotlist before we get to location would be amazing.

We'll also have extra rooms in the lodging the rest of the crew is staying in, so you don't need to be super local.

We are seeking skilled Directors of Photography (DPs) with proven experience in shooting talent-centric content on green screen. Our goal is to achieve a high-key commercial look, characterized by a high-end, glossy, and vibrant aesthetic reminiscent of Bravo style productions.

Key Qualifications:

Expertise in green screen production
Strong portfolio showcasing high-end, poppy, and glossy commercial looks
Ability to execute and maintain a specific visual style

Project Details:

This opportunity could extend to multiple projects or become a recurring engagement.
The visual style and execution are paramount; exceptional examples of previous work in this style are essential.

Application Requirements:

Please provide links to your green screen work that demonstrates the required look and style.
If you have a keen eye for detail and can deliver the high-end visual quality we're looking for, we'd love to see your work!

We are looking for a camera operator with gear to shoot for 3 days (6/25-6/27) by USC from 9am to 5pm each day. The rate is $750 per day including gear.

Hello! We are looking for a DP to shoot a pickup interview in Rochester NH for a true crime series this upcoming Sunday 6/30.

We would like someone who can provide the camera/lighting package for one interview. We need two Sony FX9s.

We are also bringing on a b-cam op, AC, Audio, and PA for the shoot. The field producer will travel in for the interview.

If you are available, please provide a film reel and a few references.

Thanks!

Seeking a DP with FX9 package (plus second stationary camera) for a shoot, possibly tomorrow in Nashville. It's a simple interview with one person.

We're looking for a Cam Op with current BOSIET Training- Basic Offshore Safety Induction and Emergency Training.

If you also have HUET please mention, but not required