Apply to this Sound Engineer Job

SHOW DESCRIPTION - 

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.



POSITION SUMMARY

- We film on Canon 5D Mark IVs.
- We record at 48000 khz, 24 bit, shoot at 29.97 drop-fps and do not require timecode jamming.
- Audio must be recorded to separate tracks - we have to be able to split audio. Mixdowns and backup tracks are welcome but no mixdown as primary track.
- Hops are not necessary but welcome if no additional cost.
- Minimum of (1) IFB required for the producer to monitor audio.
- At least two subjects, no more than four, requiring wireless lavalier microphones throughout the interview and following activities.
- Booming additional subjects and activities will be required.
-Mic redundancies required for sit-down interviews when there are 2 subjects (aka 2 lavs and 2 booms).
- We will provide an SD, CF card or both for each day we film and then collect upon wrapping.




REQUIREMENTS / QUALIFICATIONS 

- Ability to troubleshoot technical difficulties
- Ability to work under stressful and extreme conditions, as well as quickly adapt to last-minute schedule changes
- Be teachable and willing to learn new workflows
- Ability to work under strict deadlines

SHOW DESCRIPTION - 

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.



POSITION SUMMARY

- We film on Canon 5D Mark IVs.
- We record at 48000 khz, 24 bit, shoot at 29.97 drop-fps and do not require timecode jamming.
- Audio must be recorded to separate tracks - we have to be able to split audio. Mixdowns and backup tracks are welcome but no mixdown as primary track.
- Hops are not necessary but welcome if no additional cost.
- Minimum of (1) IFB required for the producer to monitor audio.
- At least two subjects, no more than four, requiring wireless lavalier microphones throughout the interview and following activities.
- Booming additional subjects and activities will be required.
-Mic redundancies required for sit-down interviews when there are 2 subjects (aka 2 lavs and 2 booms).
- We will provide an SD, CF card or both for each day we film and then collect upon wrapping.




REQUIREMENTS / QUALIFICATIONS 

- Ability to troubleshoot technical difficulties
- Ability to work under stressful and extreme conditions, as well as quickly adapt to last-minute schedule changes
- Be teachable and willing to learn new workflows
- Ability to work under strict deadlines

THE POSITION
Our roster has an opening with your name on it

Audio Technician performs a variety of tasks related to live, pre-recorded, studio and field production, all in support of multiple 24x7 TV broadcast channels and OTT platforms.  Primary duties include, but are not limited to, responsibility for all facets of audio production projects and daily operation of audio mixing, switching and special effects equipment.

THE GAME PLAN
Everyone on our team has a part to play

- Operate all audio mixing, switching, equalizing and special effects equipment for TV production primarily in a live studio environment
- Address daily show requirements from an audio and technical standpoint as communicated by the Director, Producer and production staff
- Coordinate daily feeds, including IFB and PL coordination lines, with the remote tech manager (as required) or - Transmission Operation Center staff
- Test mics, IFB's and PL system with remote A2
- Confirm all audio sources are good and fax inbound remote feeds and mix-minus' prior to show.
- Program production intercom for use in remote locations
- Monitor audio feeds, make appropriate adjustments and mix talent microphones, various audio sources, music playback and sound effects to create a program mix for air
- Create additional mixes for clean feed, iso records and monitoring stations, as required
- Proficient problem solving and troubleshooting techniques and effective communication to best convey the issues necessary for resolution
- Operate routing equipment which may require patching of video, audio and ancillary signals
- Setup and operate different types of adjunct audio and telephone equipment, including analog/digital cartridge machines, audio servers, speech enhancers and intercoms
- Provide proper technical interface between in-plant devices and outside audio and communication sources
- Performs ingest procedure for transfer of media material into the audio air server.
- Quality checks and adjusts video/audio signal levels for optimum quality
- Able to complete tasks and projects with strict deadlines.
- Develop, write and implement Standard Operating Procedures (SOP) for the department.
- Complete formal paperwork for Audio department and other departments including, but not limited to creating, maintaining, and disseminating daily audio schedules, emails, and charts of all audio feeds and remote based information
- Takes direction from control room team for content assignment
- Performs duties on remote broadcasts, as assigned

THE STATS
What we're looking for in our next teammate

- Working knowledge of systems/equipment used in functions identified above, including analog/digital/high definition video/audio signals and monitoring equipment
- Minimum of 1 year of experience in broadcast operations at a local TV station, cable/satellite channel or other industry-related environment
- Working level of operational skills and abilities when using all broadcast equipment and technology within assigned operating areas, including but not limited to microphone and IFB signal flows, wireless PL systems, mix minus and Intercom devices
- Ability to travel to remote broadcast sites, as assigned
- Ability to lift up to 50 lbs. un-assisted of technical and or set gear
- Ability to work well in a broadcast team environment, including talent, producers and directors, under strict time deadlines
- Ability to work a flexible schedule consisting of weekends and holidays
- At least 1 year of Audio Technician experience working in a live television studio or remote environment preferred

PLAYER BENEFITS
We treat our team right

From our many opportunities for professional development to our generous insurance and paid leave policies, we’re committed to making sure our employees get as much out of FanDuel as we ask them to give. Competitive compensation is just the beginning. As part of our team, you can expect:

An exciting and fun environment committed to driving real growth
Opportunities to build really cool products that fans love
Mentorship and professional development resources to help you refine your game
Be well, save well and live well - with FanDuel Total Rewards your benefits are one highlight reel after another 

FanDuel is an equal opportunities employer and we believe, as one of our principal states, “We Are One Team!”  We are committed to equal employment opportunity regardless of race, color, ethnicity, ancestry, religion, creed, sex, national origin, sexual orientation, age, citizenship status, marital status, disability, gender identity, gender expression, Veteran status, or another other characteristic protected by state, local or federal law. We believe FanDuel is strongest and best able to compete if all employees feel valued, respected, and included.  We want our team to include diverse individuals because diversity of thought, diversity of perspectives, and diversity of experiences leads to better performance.  Having a diverse and inclusive workforce is a core value that we believe makes FanDuel stronger and more competitive as One Team!

The applicable hourly range for this position is dependent on a variety of factors including relevant experience, location, business needs and market demand. This role may offer the following benefits: medical, vision, and dental insurance; life insurance; disability insurance; a 401(k) matching program; among other employee benefits. This role may also be eligible for short-term or long-term incentive compensation, including, but not limited to, cash bonuses and stock program participation. This role includes paid personal time off and 14 paid company holidays. FanDuel offers paid sick time in accordance with all applicable state and federal laws.

Looking for an experienced sound mixer, comfortable working in a sports environment, run and gun
$1000/ 10 hour day including kit (boom, lav, TC, hop to cam)
1-day shoot near downtown LA
Please apply for more details

We are looking for a solid Sound Mixer to join our team on May 15th for season 3 of a true crime series for Oxygen.

Filming will consist of an inside, sit-down interview. Audio files will be uploaded immediately after the interview wraps for transcription, as well as offloaded to the physical drive. We will be shooting on two Sony FS7s or comparable Sony cameras - Exact cameras TBC. A Post Bible will be provided upon hire.

When applying, let us know if you can provide audio equipment.

Rate: $600/12 + $300 kit rental
Date: May 15th
Location: Santa Monica, CA

If you are interested and available, please send me your resume!

A sound mixer for a micro budget web show shooting entirely indoors.

Working on a short video for a band near the Hollywood area. Need a Boom op and mixer. Must have sound gear. We need at least 5 lavs + boom.

boom op/mixer

We're seeking a production sound mixer for our independent music film. Currently scheduled for 19 days of filming.

Narrative overview: A struggling LA music producer navigates a career-defining showcase and sudden guardianship of his newly discovered half-sister. Music plays an integral role in their journey of healing and connection.

Sound Needs:
-Heavy emphasis on live music recording (vocals and various instruments).
-Skill in capturing the energy and nuance of both intimate and showcase performances.
-Experience and comfort with on-location sound mixing.
-Budget available for a sound partner/boom operator of your choice at the same rate.

Hiring sound mixer for vertical short drama.
$400/Day
10 days between 5/18 and 5/29
Los Angeles

We are looking for a Post Production Sound Designer for our independent music film. The script is fairly contained to mostly indoor locations, but does feature diegetic singing.

A responsibility of this job will also include delivering a fully filled M&E.

The ideal candidate will join our team before filming commences to ensure a seamless and successful workflow.

Jupiter Entertainment seeks an experienced Sound Mixer as a local in Panama City, FL to join us on a true crime series on 5/24. Gear will be provided (a full list will be sent upon hire/request).

This shoot will consist of single on-camera talent for sit-down interviews (taking place indoors). True crime experience is strongly preferred.

If you are interested and available, please include your rate for a 10-hour day excluding any rentals, as well as your reel/credit list along with your application. Thank you!

Jupiter Entertainment seeks an experienced Sound Mixer as a local in West Palm Beach, FL to join us on a true crime series from 5/22 - 5/25. Gear will be provided (a full list will be sent upon hire/request).

This shoot will consist of single on-camera talent with one camera for sit-down interviews (taking place indoors) and b-roll. True crime experience is strongly preferred.

You will be joined by a DP and remote field producer.

If you are interested and available, please include your rate for a 10-hour day excluding any rentals, as well as your reel/credit list along with your application. Thank you!

We are looking for a Sound Mixer to join us to capture audio for a 3 day shoot at a farm in Fresno, CA.

We will be filming agricultural content.

Content is for the new agriculture systems certificate offered by 7 community colleges in Central Valley of CA.

Shoot dates are June 4 - 6

Looking for a Sound Recordist/Operator for a series of interviews on a half day shoot in Boston MA.

Date: May 16th, 2024
City: Boston, MA
Position: Sound Operator
Call Time: TBD, 5-hour shoot
Gear Required: LAV Mic, Shotgun Mic, Boom Pole, External Recorder 
Rate: $350/5h

We pay $350/5h and $35/h after that. We do not expect the shoot to go into overtime 
We reimburse every mile after traveling 50 miles in each direction (not round trip) at $0.54 per mile.

Would be great if you can do boom and had some lavs but please be specific to what gear you have.
Rehearsal and principal production start June 20th through July 3, 2024. We are looking for crew with own gear, etc.

30min bilingual short film we are making will model for teens how to navigate biases in their own community and the importance of acceptance.

Additional opportunities are available but this project is microbudget. thanks!

Looking for an experienced Sound Op for a 2-camera interview shoot on 5/16 + 5/17 with 2x talent. We'll be shooting on FX9s.

Rate is $600/10hr + $400 kit fee per day. Must be local to Atlanta.

Kit should include the following along with whatever else you'll need for an interview set up:
- Mixer
- Smart Slate
- 6x Comteks
- 3x Lavs
- Boom

Looking for a Sound Mixer for a small shoot in New York.
Need to have their own kit with 5 lavs.

Thank you!

$600/day
All in rate (labor+kit fee)

Looking for a Sound Mixer for a small shoot in Chicago.
Need to have their own kit with 5 lavs.

Thank you!

$600/day
All in rate (labor + kit fee)

A2 sound assistant needed to wrangle mics, etc.

We need an A2 for an event for several days.

Five days total, May 19-23