Apply to this Sound Recordist Job

Need audio recordist for feature documentary. Must have your own gear.

We are filming a group conversation tomorrow afternoon as part of an upcoming education documentary and looking for a sound recordist to help capture audio from various participants. Ideal set up may be a floating boom with select individuals also laved up. Shoot will be in downtown Louisville and last no more than 2 1/2 hours from arrival to wrap. Applicants must own their own equipment. Rate includes pay and equipment fee.

Tuesday May 7 - Downtown Louisville

3:00 Arrival and Setup
4:00 Shoot/Conversation Begins
5:00 Shoot/Conversation Ends
5:30 Wrap

Half Day Rate for tomorrow afternoon.
Arrival 3:00pm / Wrap 5:30pm.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Arcata, CA for 2 Days.

WEDNESDAY 05/15/24
THURSDAY 05/16/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget with a rate of $900/Day/12hr (including audio package) for this Local Hire Role. 2 total working days for a Local Hire operating on this fixed budget.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Bellingham, WA for 2 Days.

MONDAY 05/13/24
TUESDAY 05/14/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget and a rate of $900/Day/12hr (including audio package) for this Local Hire Role. 2 total working days for a local hire operating on this fixed budget.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

We are looking for a Sound Recordist for 1 sit down documentary interview, in the Palo Alto area on 6th May. Record in participants own home. Director will participate on Zoom. Filming on Sony Venice. Rate for Sound Kit is $350 on top of labor rate.
12 hour day maximum (will probably be less)

Hello! We have a one-day shoot in San Ramon/Bay Area and we're looking for a sound recordist. You're excellent at your craft and come with references you don't mind us checking, you've got the right gear to lav and/or boom and record individual tracks. And you're super fun to work with! We are, too.

The job is a docustyle corporate where we'll be shooting group interviews of 4-5 people and then b-roll. You'll be in at 8 and out by 6, latest. Camera is a Canon C70, yes we have the XLR adapters. But we'll want your pristine-ish native audio files, too.

This is an all-in, 10 hour day rate including kit (boom, mikes, mixer) and delivery of files.

Reality follow-doc filming in Hallendale Beach looking for experienced Sound Recordist.

-$35.71 - $39.28/ hourly

$350/day for kit

Standard audio kit to include:
1x mixer/recorder
1x boom
4x wireless mics
2x cam hops
1x Timecode jam for both cams
1x Smart slate
2x ifb

***Must be capable to record individual iso tracks and mix

We are an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

We are looking for a PRODUCTION SOUND RECORDIST / MIXER—ideally someone with 1) extensive experience capturing sound from the sound engineers running LIVE EVENTS and 2) experience simultaneously boom operating and sound mixing on-the-fly interviews in non-production environments.

We are shooting a corporate event at U.S. Bank Stadium — it’s a Gala style event where our key talent will be speaking on stage. We’ll need you to capture audio from the live event team’s microphones by recording a “line out” feed from the sound board controlled by the on-site live event sound engineers. Our producers will help coordinate this prior to the event so the live event team will be aware of your needs. We ask that you join one email thread with the event’s sound engineer to help streamline this communication.

This job will take place on MAY 16th between 3pm and 9pm.

Production / Gear Needs:
1 professional sound mixer for dialogue
intended to record dialogue from wireless mic kit and/or boom mic from on-the-fly interviews
1 additional sound mixer to record the “line out” feed from live event sound engineer
1 adapter kit + misc. cable kit to receive “line out” feed from live event sound board
we will coordinate with the live event team but please prepare to bring multiple options to receive a “line out” feed (XLR adapters, ¼ inch cables/adapters, etc)
1 wireless lavalier mic kit
ideally an RF-interference free solution as this location will be filled with interference
we have access to 2x DPA 6061s and 1x Tentacle 32-bit Sync-E Recorder if we need additional gear

Post Production Needs:
We will need “polywav” files with each individual audio track isolated for mixing in post production.

Some things you should know about this job:
- This job is based in Minneapolis, MN. If you do not live in the Minneapolis Area—please do not apply.

Guaranteed dates:
THURSDAY MAY 16TH

Pay:
~$750 for 6 hours (3:00pm-9:00pm). Unfortunately our budget is fixed. We can’t exceed $750/6 hours, so if your rate is higher than that, you need not apply.

We are dedicated to building diverse teams that fuel an authentic workplace and sense of belonging for each and every employee. We know applying for a job can be intimidating, please don’t hesitate to reach out — we encourage everyone interested in joining us to apply.

WOAH LABS provides equal employment opportunities (EEO) to all employees and applicants for employment without regard to race, color, religion, sex, national origin, disability, genetics, gender, sexual orientation, age, marital status, veteran status. In addition to federal law requirements, WOAH LABS complies with applicable state and local laws governing nondiscrimination in employment in every location in which the company has facilities. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training.

Recruiting sound recording specialists for future productions, we are building rosters of talent to assign to shoots as clients are booked.
Responsibilities include capturing crisp, clean audio (dialogue, ambience, foley, etc) on the day of the shoot.
Must submit a resume of previous works, along with a professional reference, along with your current self owned gear list.

We are in search of a Sound Recordist for event coverage and possible interviews on June 1, 2024 in the Morningside Heights neighborhood in Manhattan.

The event will take place in the morning and there is a possibility that interviews will be scheduled afterwards. Please respond with day rate and equipment fees.

We need a Location Sound Recordist for our 4-day shoot in Rio Grande Valley.

You should have at least two credits, and your own equipment including mics and boom.

We are brining the series Black Clown FROM Dallas TO THE RIO GRANDE VALLEY and are looking to connect with up and coming talent in the valley.

The shoot will be 2-days on, 1 day off, 2-days on for a total of 4 shoot days.

Dates: One or more days between May 14-17

Audio Field Engineer: This role will be responsible for recording 2-4 talent each day for lifestyle spots for a senior living brand.

Gear: We ask that you provide an audio recorder, lav mics, and a boom mic.

Sound Recordist for a microbudget short horror film to shoot in Granby, CT on June 1st.

Venmo Zelle or other preferred method of payment

A 1-2 day documentary shoot for a California based organization called Hope the Mission. The documentary will follow the founders on their 3500 mile bike ride across the country to raise awareness and funds to combat the homeless crisis!

The shoot will be a half day from approximately 2pm-6pm with a series of straight forward interviews and b roll with individuals, service providers and elected officials.

The job is for a charitable organization so everyone that is engaged on the project are all making the same day rate.

Applicant to submit Deal Memo and W-9 and Invoice. Payment schedules are the 1st and 15th of each month.
The organization can also offer a tax write-off.

We're looking for a sound mixer for an upcoming non-union shoot in Middleburg, VA on June 5 and 6. We will be recording a number of interviews for a corporate client.

You must be able to work as a local and provide your own transportation to and from set.

Please include relevant experience and equipment list/rates. Thanks!

We're looking for a sound mixer for an upcoming non-union shoot in Baltimore on May 8. This is corporate shoot where we will be filming a number of people reading off a teleprompter. Only one person will be on camera at a time. You must be able to work as a local and provide your own transportation to and from set. Please include relevant experience and equipment list/rates. Thanks!

We are looking for an Audio Engineer to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience working with Behringer X32 or Allen and Heath SQ boards is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

Seeking a local mixer with gear, for an independent feature documentary following local political candidates leading up to the election. Will be approx.15-30 days over the course of several months. Must have prior experience as a sound mixer on a *VERITE* documentary or documentary series. Must also have experience with sit-down interviews. Must have references, must be local, (not willing to work as local). Experience on political projects a plus!

*If possible, please attach your resume, or include link to website and/or IMDB.

Thank you!

Looking for a seasoned audio mixer with gear for a docu-series filming at a sports venue. We are a small crew
and keep a minimal footprint and appreciate good people with a positive demeanor.


Audio Package should contain:

multichannel mixer
4 lavs
boom

Rate is dependent on experience
Mixer should have their own gear and that will be negotiated separately