Apply to this Sound Recordist Job

Looking for experienced sound recordist to record audio for a one day, outdoor commercial shoot with a notable athlete sponsored by a local company. Rate includes equipment (mixer, lav mics, boom, etc).

Sound Mixer/Boom Op combo with their own gear.

Please send your rate and confirm your availability for 5/30 for consideration. Thanks!

We are producing a short documentary on a local company in San Jose, CA on Aug 15, 2024. We need an audio recordist with their own kit for the day (10 hrs). I've provided some details below. If you're interested, please let me know as soon as possible.

August 15, 2024
10 hour day (7am-5pm)
Hosted walk and talk Interviews with guest + Man on the street interviews.
Sit Down interviews
The full Crew is (1) Field Producer, (2) Cam Ops, (1) Sound Recordist

Equipment Needs
(Please Provide what type of equipment you own)
(2) Lavalier Microphones (Mic needs to be hidden)
(1) Boom Pole/Mic
(1) Audio Mixer

Rate
Labor Rate: $650
Equipment Rate: $300

We are producing a short documentary on a local company in Green Bay, WI on July 17, 2024. We need an audio recordist with their own kit for the day (10 hrs). I've provided some details below. If you're interested, please let me know as soon as possible.

July 17, 2024
10 hour day (7am-5pm)
Hosted walk and talk Interviews with guest + Man on the street interviews.
Sit Down interviews
The full Crew is (1) Field Producer, (2) Cam Ops, (1) Sound Recordist

Equipment Needs
(Please Provide what type of equipment you own)
(2) Lavalier Microphones (Mic needs to be hidden)
(1) Boom Pole/Mic
(1) Audio Mixer

Rate
Labor Rate: $650
Equipment Rate: $300

We are producing a short documentary on a local company in Greenville, SC on June 21, 2024. We need an audio recordist with their own kit for the day (10 hrs). I've provided some details below. If you're interested, please let me know as soon as possible.

June 21, 2024
10 hour day (7am-5pm)
Hosted walk and talk Interviews with guest + Man on the street interviews.
Sit Down interviews
The full Crew is (1) Field Producer, (2) Cam Ops, (1) Sound Recordist

Equipment Needs
(Please Provide what type of equipment you own)
(2) Lavalier Microphones (Mic needs to be hidden)
(1) Boom Pole/Mic
(1) Audio Mixer

Rate
Labor Rate: $650
Equipment Rate: $300

We are producing a short documentary on a local company in Bergen, NY on June 5, 2024. We need an audio recordist with their own kit for the day (10 hrs). I've provided some details below. If you're interested, please let me know as soon as possible.

This is what we have budgeted for labor. We pay Net30

June 5, 2024
10 hour day (7am-5pm)
Hosted walk and talk Interviews with guest + Man on the street interviews.
Sit Down interviews
The full Crew is (1) Field Producer, (2) Cam Ops, (1) Sound Recordist

Equipment Needs
(Please Provide what type of equipment you own)
(2) Lavalier Microphones (Mic needs to be hidden)
(1) Boom Pole/Mic
(1) Audio Mixer

Rate
Labor Rate: $650
Equipment Rate: $300

Dates: One or more days between June 3-7

Audio Field Engineer: This role will be responsible for recording 2-4 talent each day for lifestyle spots for a senior living brand.

Gear: We ask that you provide an audio recorder, lav mics, and a boom mic.

Need audio recordist for feature documentary. Must have your own gear.

We need a Location Sound Recordist for our 4-day shoot in Rio Grande Valley.

You should have at least two credits, and your own equipment including mics and boom.

We are brining the series Black Clown FROM Dallas TO THE RIO GRANDE VALLEY and are looking to connect with up and coming talent in the valley.

The shoot will be 2-days on, 1 day off, 2-days on for a total of 4 shoot days.

Sound Recordist for a microbudget short horror film to shoot in Granby, CT on June 1st.

Venmo Zelle or other preferred method of payment

Mixing, mastering, and sound design for a dialogue driven short film between two characters outside on a vineyard.

THE POSITION
Our roster has an opening with your name on it

Audio Technician performs a variety of tasks related to live, pre-recorded, studio and field production, all in support of multiple 24x7 TV broadcast channels and OTT platforms.  Primary duties include, but are not limited to, responsibility for all facets of audio production projects and daily operation of audio mixing, switching and special effects equipment.

THE GAME PLAN
Everyone on our team has a part to play

- Operate all audio mixing, switching, equalizing and special effects equipment for TV production primarily in a live studio environment
- Address daily show requirements from an audio and technical standpoint as communicated by the Director, Producer and production staff
- Coordinate daily feeds, including IFB and PL coordination lines, with the remote tech manager (as required) or - Transmission Operation Center staff
- Test mics, IFB's and PL system with remote A2
- Confirm all audio sources are good and fax inbound remote feeds and mix-minus' prior to show.
- Program production intercom for use in remote locations
- Monitor audio feeds, make appropriate adjustments and mix talent microphones, various audio sources, music playback and sound effects to create a program mix for air
- Create additional mixes for clean feed, iso records and monitoring stations, as required
- Proficient problem solving and troubleshooting techniques and effective communication to best convey the issues necessary for resolution
- Operate routing equipment which may require patching of video, audio and ancillary signals
- Setup and operate different types of adjunct audio and telephone equipment, including analog/digital cartridge machines, audio servers, speech enhancers and intercoms
- Provide proper technical interface between in-plant devices and outside audio and communication sources
- Performs ingest procedure for transfer of media material into the audio air server.
- Quality checks and adjusts video/audio signal levels for optimum quality
- Able to complete tasks and projects with strict deadlines.
- Develop, write and implement Standard Operating Procedures (SOP) for the department.
- Complete formal paperwork for Audio department and other departments including, but not limited to creating, maintaining, and disseminating daily audio schedules, emails, and charts of all audio feeds and remote based information
- Takes direction from control room team for content assignment
- Performs duties on remote broadcasts, as assigned

THE STATS
What we're looking for in our next teammate

- Working knowledge of systems/equipment used in functions identified above, including analog/digital/high definition video/audio signals and monitoring equipment
- Minimum of 1 year of experience in broadcast operations at a local TV station, cable/satellite channel or other industry-related environment
- Working level of operational skills and abilities when using all broadcast equipment and technology within assigned operating areas, including but not limited to microphone and IFB signal flows, wireless PL systems, mix minus and Intercom devices
- Ability to travel to remote broadcast sites, as assigned
- Ability to lift up to 50 lbs. un-assisted of technical and or set gear
- Ability to work well in a broadcast team environment, including talent, producers and directors, under strict time deadlines
- Ability to work a flexible schedule consisting of weekends and holidays
- At least 1 year of Audio Technician experience working in a live television studio or remote environment preferred

PLAYER BENEFITS
We treat our team right

From our many opportunities for professional development to our generous insurance and paid leave policies, we’re committed to making sure our employees get as much out of FanDuel as we ask them to give. Competitive compensation is just the beginning. As part of our team, you can expect:

An exciting and fun environment committed to driving real growth
Opportunities to build really cool products that fans love
Mentorship and professional development resources to help you refine your game
Be well, save well and live well - with FanDuel Total Rewards your benefits are one highlight reel after another 

FanDuel is an equal opportunities employer and we believe, as one of our principal states, “We Are One Team!”  We are committed to equal employment opportunity regardless of race, color, ethnicity, ancestry, religion, creed, sex, national origin, sexual orientation, age, citizenship status, marital status, disability, gender identity, gender expression, Veteran status, or another other characteristic protected by state, local or federal law. We believe FanDuel is strongest and best able to compete if all employees feel valued, respected, and included.  We want our team to include diverse individuals because diversity of thought, diversity of perspectives, and diversity of experiences leads to better performance.  Having a diverse and inclusive workforce is a core value that we believe makes FanDuel stronger and more competitive as One Team!

The applicable hourly range for this position is dependent on a variety of factors including relevant experience, location, business needs and market demand. This role may offer the following benefits: medical, vision, and dental insurance; life insurance; disability insurance; a 401(k) matching program; among other employee benefits. This role may also be eligible for short-term or long-term incentive compensation, including, but not limited to, cash bonuses and stock program participation. This role includes paid personal time off and 14 paid company holidays. FanDuel offers paid sick time in accordance with all applicable state and federal laws.

A sound mixer for a micro budget web show shooting entirely indoors.

We're seeking a production sound mixer for our independent music film. Currently scheduled for 19 days of filming.

Narrative overview: A struggling LA music producer navigates a career-defining showcase and sudden guardianship of his newly discovered half-sister. Music plays an integral role in their journey of healing and connection.

Sound Needs:
-Heavy emphasis on live music recording (vocals and various instruments).
-Skill in capturing the energy and nuance of both intimate and showcase performances.
-Experience and comfort with on-location sound mixing.
-Budget available for a sound partner/boom operator of your choice at the same rate.

We are looking for a Post Production Sound Designer for our independent music film. The script is fairly contained to mostly indoor locations, but does feature diegetic singing.

A responsibility of this job will also include delivering a fully filled M&E.

The ideal candidate will join our team before filming commences to ensure a seamless and successful workflow.

Hello!

We are looking for a Sound Engineer for our ongoing Summer Camp Live stream throughout Summer. This will be a gig for every other Saturday from June to August, with a couple rehearsals that start at the end of May. We are hoping our selected engineer can be available for all below dates. The live Saturdays will be early mornings, but only half days since the live stream itself is only about 20 minutes long.

Engineers will need to know how to comfortably use a Midas M32 LIVE 40-channel Digital Mixer. Engineers should also be comfortable with Shure, wireless workbench, some familiarity with doing remote calls or zoom calls into a live production - anyone familiar with live webcast or broadcast would be a plus

Production schedule:

May 31st - Tech Rehearsal
June 7 - Dress Rehearsal
June 8 - Camp Live Stream
June 22 - Camp Live Stream
July 6 - Camp Live Stream
July 20 - Camp Live Stream
August 3 - Camp Live Stream
August 17 - Camp Live Stream

SC Pictures is shooting a variety of docu-style video commercials for Fintepla, and we are shooting one about a child in Detroit. We need to hire local crew for the 1 day shoot on June 15th. The shoot day will be roughly 12 hours. Full payment of the pay rate will be included if sound mixer brings their own gear.

Looking for a union audio mixer for a docu-follow series filming in Chicago on 6/6, 6/7 and 6/8. Experience with fast-paced verite style production strongly preferred. Gear already sourced, no additional needed. 700/10.

Jupiter Entertainment seeks an experienced Sound Mixer as local as possible to Omaha, NE to join us on Snapped on 6/3. Gear will be provided and a full list will be shared upon hire/request.

This shoot will consist of single on-camera talent with one camera for sit-down interviews (taking place indoors) and BRoll. True crime experience is strongly preferred.

You will be joined by a small crew consisting of a Field Producer and DP so a team oriented attitude is a must!

If you are interested and available, please include your rate for a 10-hour day excluding any rentals, as well as your reel/credit list along with your application. Thank you!

Looking for sound mixer to record audio for 3 sit down interviews.

2x ARRI LF's

1x RED GEMINI

Audio needs to be synced.