New York, NY Production Jobs

Seeking an PA with experience in AVID and interest in becoming an AE. Who can help with research and development for documentaries and to help bring in footage and organize it in AVID for new development projects. Also other clerical PA tasks.

Looking for a junior / early in their career AE or PA who is proficient in AVID.

Just an evening corporate event for 3-4 hours. B roll. no editing. No interviews. We'd provide a drive to dump footage end of day. Just need some pretty 4k b-roll of a tech event to make a sizzle out of.

Gimbal + Cam provided by op

Latchkey Films, a documentary production company based in Brooklyn, NY, is seeking a production assistant who can help with development projects. This person should be proficient in AVID and know how to bring in footage and organize projects in AVID. Also will help with research and development, and other PA tasks when possible.

Seeking experienced art assistant to support art director in upcoming corporate video series being filmed in Midtown on 5/21-5/23.
-Ideal candidate can help with sourcing, printing, and building the set and will be working under the supervision of the art director and creative director.
-Must be a NYC local
-Must be able to start right away

Looking for an editor who can work on a freelance basis on a project that will span over a three month period. This job will be for social content so our editor must have chops editing videos for social media and understanding what type of content generates views and . Looking for someone who can be available in the June-August timeframe with reasonable notice.

We would like to have the initial edits take place in our office but will eventually be able to have our editor work from home to complete the remaining edits.

Seeking experienced production assistant for upcoming corporate video production shoot in NYC on 5/20-5/24. Ideal candidate is comfortable moving gear, making runs, ordering lunch and supporting the needs of the set as necessary.

Seeking experienced HMU artist for upcoming corporate video series taking place in NYC on 5/21, 5/22 and 5/23. Ideal candidate has lots of corporate experience, comfortable working with c-suite executives and is proactive in ensuring talent HMU continuity throughout the filming day.

Looking for two remote Avid editors for a comedy series starting in June. Must have comedy credits and experience working in TV, please do not apply if you don't have this experience.

Please include at least 3 samples of comedy shows you've edited and a link to your iMDB page.

Line Producer wanted to create a budget and schedule for a feature film that will shoot in NYC.

Must have verifiable feature film LP credits for at least 1m.
Budget will likely be at least 5m so experience is key. (Movie Magic software)

Experience working in New York with local crews is also necessary.

Pay rate is negotiable depending on experience. This will be discussed individually.

Film is not yet listed on IMDB as information is being kept confidential.

A start date is listed, but this is flexible as is the duration.
The right person is more important than exact time and dates.
Ideally, the LP will be available for the production.
Rate will be discussed individually.

Please send resume, credits, and any other helpful information.

Thanks,
td

Digital series is looking for a Production Assistant to assist on set, as well as drive production van in and around New York City.

Dates are May 17, 18, and 24th. Please only apply if you are available for all individual days, have a DL, and experience driving production vans.

Thank you!

Junior Video Editor / Technical Operations
Quite Frankly Productions – Shaping Stories, Showcasing Brands

We're on the hunt for a Junior Video Editor with a knack for storytelling and a keen eye for detail to join our energetic team at Quite Frankly Productions. In our fast-paced environment, you'll collaborate on a variety of projects, bringing creativity and technical expertise to deliver content that makes an impact.

Key Responsibilities:
Work with your QF Producer to craft compelling video content, ensuring alignment with the narrative vision and pacing.

Utilize advanced video editing tools, including Adobe After Effects, Premiere Pro, Audition, and Photoshop.

Manage multiple editing projects simultaneously, maintaining organization and adhering to deadlines.

Work with your QF Producer to interpret client briefs and feedback with precision, ensuring their vision is realized through your edits.

Proactively troubleshoot and resolve technical issues during the editing process.

Continuously update and refine editing skills, staying current with industry trends and software updates.

Act as a collaborative and flexible team member, ready to assist across a range of tasks.

Qualifications:

1-3 years of experience in video editing.

Strong portfolio showcasing a range of editing styles and techniques.

Proficiency with Adobe Creative Suite and comfort working on both Mac and Windows platforms.

Excellent communication skills and the ability to work well both independently and as part of a team.


Our Promise:
Work with a diverse range of content, from social media snippets to corporate communications.
Be part of a team that values creativity and technical proficiency equally.
Opportunity for professional growth in a supportive and dynamic workplace.


Position Details:

An initial 3-month trial contract, with potential to move to full-time employment.
Competitive salary range.


Apply Now:
Interested candidates should send a resume and portfolio to [Please reply using Staff Me Up].

Quite Frankly Productions is your stage to create, refine, and share stories through the art of video editing.

This project is a web-series
The intent of the project is to sell the script. Therefore no camera equipment will be used. Just iphone, gimballs and lights. The script is complete. The shooting script is complete. A shooting script and story board will be made available to the videographer prior to the shoot date.

Scenes will be shot inside and outside in Harlem and the Bronx. The cast is multi-ethnic. I will need a videographer that has experience filming men and women of diverse backgrounds and skin tones. Everyone must look good (in their best light). If you don't have experience with diversity please prepare yourself prior to applying.

All scenes are 5 minutes or less. We will not shoot in continuity. I only need the actors present for their scenes on set. Therefore we will shoot the scenes in order of actors appearance.

At EOD all scenes must be confirmed. The shooting script and story board can be used as a guideline.
I have to be sure I have what I need to move forward to post production.

Arrival times for videographer will be 10am weekdays Wednesday, Thursday and Friday. Schedule will be confirmed upon hiring. Start of June 5 may be changed...

This project is a web-series
The intent of the project is to sell the script. Therefore no camera equipment will be used. Just iphone, gimballs and lights. The script is complete. The shooting script is complete. A shooting script and story board will be made available to the videographer prior to the shoot date.

Scenes will be shot inside and outside in Harlem and Washington Heights. The cast is multi-ethnic. I will need a videographer that has experience filming men and women of diverse backgrounds and skin tones. Everyone must look good (in their best light). If you don't have experience with diversity please prepare yourself prior to applying.

All scenes are 5 minutes or less. We will not shoot in continuity. I only need the actors present for their scenes on set. Therefore we will shoot the scenes in order of actors appearance.

At EOD all scenes must be confirmed. The shooting script and story board can be used as a guideline.
I have to be sure I have what I need to move forward to post production.

Arrival times for videographer will be 10am weekdays Wednesday, Thursday and Friday. Schedule will be confirmed upon hiring. Start of May 29 may be changed...

This project is a web-series
The intent of the project is to sell the script. Therefore no camera equipment will be used. Just iphone, gimballs and lights. The script is complete. The shooting script is complete. A shooting script and story board will be made available to the videographer prior to the shoot date.

All scenes will be shot inside. The cast is multi-ethnic. I will need a videographer that has experience filming men and women of diverse backgrounds and skin tones. Everyone must look good (in their best light). If you don't have experience with diversity please prepare yourself prior to applying.

All scenes are 2 minutes or less. We will not shoot in continuity. I only need the actors present for their scenes on set. Therefore we will shoot the scenes in order of actors appearance.

At EOD all scenes must be confirmed. The shooting script and story board can be used as a guideline.
I have to be sure I have what I need to move forward to post production.

Arrival times for videographer will be 10am weekdays Wednesday, Thursday and Friday. Schedule will be confirmed upon hiring. Start of May 15 may be changed...

Looking for an experienced New York-based post supervisor for a 3 part docu-series.
You will oversee all elements of post production not limited to creating and managing the post schedule, day-to-day, producer and network communication, cut distribution, and overseeing all post deliverables.
Must have strong organization and communication skills to interface between editors, coordinators, crew in the field, and company + network execs.
Experience with episodic television and archival workflow is needed.
The position needs to be exclusive
Non-Union, Avid Workflow, 4k

Looking for an experienced Video Graphics Designer for between $350 - $550 day for a few days work. Rate based on experience.

* Title Design:
* Create eye-catching and memorable title cards that introduce each section of the film. The titles should align with the film’s overall theme and mood.

* Graphic Fixes:
* Fix a couple of inconsistencies, visual glitches.

* Flashback Sequences:
* Design three quick graphic sequences that represent the main character’s flashbacks to her mother.
* Use stock footage, effects, and creative visuals to evoke emotion and enhance storytelling.
* These sequences should seamlessly transition between the present and the past.

One day in person shoot to help launch a skincare brand

We will need video and photography for the following

1) Photography for before and after shots
2) Video of product demonstrations and real time results tracking
3) UGC segments/Interview segments with talent
4) Interview segments with the product creator and founder's story

Looking for an experienced Field AP and Story AP. Ideal candidate will have previous experience in this role on location in NYC and/or on an ensemble docu-series.

If interested in the Story AP position, please share experience with writing Hot Sheets / Field Notes and detailed logs.

Pre-production for this role may starts mid/late May.

Please share at least 3 references when submitting for this position.

We're looking for a story AP to join our team on an established, unscripted, observational series. AP will need to be proficient with Avid and willing to go through raw footage to help create and support story goals. Also responsible for clearances and post deliverables. Position is fully remote but post generally operates on ET. We are looking for someone who is thorough, detail-oriented and excited about building story. It's a complex project with a lot of footage to deal with, but also a long running series with a great team. If you have an interest in the field there are opportunities to be part of shoots, but not required.

SAG Low Budget Agreement film seeking SAG Stunt Coordinator for 1wk of stunt work (1 prep day, 4 stunt days). Please note that the schedule is still being worked out so these days may change.

Previous feature film experience is a big plus.

THIS IS A POST POSITION - AVID MEDIA COMPOSER

Looking to staff several Post Story Producers with experience in competition/process-driven content to prep story string outs for editors on Avid for a longstanding hour long competition show.

Need to be able to track and weave story, pull great interview bites, and be able to sort through hours of raw material and make decisions on the timeline to give the editors thoughtful and tight string outs.

Communication and organizational skills are key - multiple producers/editors will be working on the same episode, so need to work with a team in a remote setting.

NY-based production company, but can work from anywhere.

Looking for a Post Production Supervisor for an established competition series - Avid, 9 cameras, digital and remote workflow, 10x60min for Streamer.

Key Responsibilities

Project Management:
• Collaborate with the Producer team to align on post-production deliverables and deadlines.
• Lias with Executives and Network to execute post-production schedule and resource allocation plan
• Coordinate with various departments to ensure seamless workflow and timely delivery of project components.
• Monitor project progress, identify potential issues or delays, and implement solutions to keep projects on track.

Team Management:
• Supervise AEs and overall project maintenance/delivery schedule
• Assign tasks, set priorities, and provide guidance to team members to ensure efficient and high-quality work.
• Foster a positive and collaborative work environment, promoting effective communication and teamwork among the post-production team.
• Coordinate with external vendors through post and online

Quality Control:
• Ensure the technical and creative quality of all post-production deliverables, including video/audio quality, color, visual effects, and overall aesthetic consistency.
• Review and provide feedback on graphics, visual effects, and other elements to ensure alignment with project goals.
• Implement quality control processes that confirm video quality prior to being sent to client for review.

Communication and Collaboration:
• Serve as a primary point of contact for all post-production-related inquiries and updates.
• Communicate project status, progress, and any potential issues to executives, prod co and network in a clear and timely manner.

Position can be performed remotely

Seeking Composer for upcoming short film currently in post-production. Rate negotiable.



Below are the details:

PROJECT: “Paint Me Blue” (narrative short film)
RUNTIME: Approx. 19 mins (Approx. 8-12 mins of music needed for the score)
GENRE: Romantic Drama, Magical Realism
MUSIC TYPE: Strings. Open to a variety of instrumentations for this score, but most interested in a combination of violin, cello, and perhaps harp.
FILM SYNOPSIS: A Painter and a Muse fall in love, create art, and escape reality in the midst of chaos and tragedy. As the world returns to normalcy, they must grapple with their own evolution, purpose, and destiny.
LOCATION: NYC-based preferred, but open to working remotely.
TIMELINE: Score would ideally be completed by June, but open to a later deadline if needed.
RATE: $1,000-$2,000 (Negotiable Flat Fee)

Please provide portfolio/scoring samples for consideration.

Composers who could provide instrumentation and record the score themselves would be ideal candidates and allow for a higher rate. We are certainly open to hiring musicians separately and recording in a more traditional studio setting, although this may have to limit the rate for the Composer.

Especially interested in like-minded artists who have a passion for collaborative processes and creative storytelling. Ideally, this project can serve as a springboard for future collaborations together. We will also be submitting this film to festivals, which should provide further networking opportunities. We look forward to reviewing your work and discussing further!

Casting Coordinator must have strong organizational skills and experience using google spreadsheets. Previous experience with background checks is preferred, but not mandatory. Position is remote but will work on an EST schedule.