Assisted VFX Editor in her duties of tracking VFX shot (duties I took over after VFX Editor left the project), assisted VFX producer in pulling VFX elements and creating reference material for vendor turnover, ran Avid reviews of VFX shots with VFX supervisor and Showrunner.
Summary
I'm a hard worker who's passionate about filmmaking, proficient in Avid and Final Cut. Several years experience in VFX Editorial, hoping to jump to Picture Editorial soon.
Credits
1/16 – 4/16
Visual Effects Editor – The Purge 3
Film (Feature-length) — Platinum Dunes
1/16 – 4/16
8/15 – 11/15
Visual Effects Editor – Hail, Caesar!
Film (Feature-length) — Working Title Films
8/15 – 11/15
5/15 – 8/15
Visual Effects Editor – Love the Coopers
Film (Feature-length) — Imagine Entertainment
5/15 – 8/15
2/15 – 5/15
Data I/O – American Ultra
Film (Feature-length) — Likely Story
2/15 – 5/15
10/14 – 1/15
Visual Effects Editor – The Harvest
Film (Feature-length) — Elephant Eye Films
10/14 – 1/15
7/14 – 11/14
Visual Effects Editor – Marco Polo (Season 1)
Netflix — TV — The Weinstein Company Details
7/14 – 11/14
4/14 – 7/14
Visual Effects Editor – Kill the Messenger
Film (Feature-length) — Bluegrass Films
4/14 – 7/14
5/14 – 6/14
Visual Effects Editor – Run All Night
Film (Feature-length) — Warner Brothers Details
5/14 – 6/14
Editorially tracked all vendor-side VFX work for Method NY's work on the film, ran Avid reviews of VFX work with Method's VFX Supervisor for the project, Mitch Drain.
Orgs
Recos
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Education
Class of '10
Cornell University
BA with a double major in Film and Philosophy
My Gear
Skills
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