Maryland Production Jobs

Looking for a production assistant local to Baltimore, MD for a new reality paranormal/road trip show. Shooting at a few locations in and around Baltimore.

Please only apply if you can work as a local in Baltimore. We cannot provide accommodations or mileage for travel.

Looking for a camera assistant local to Baltimore, MD for a new reality paranormal/road trip show. Shooting at a few locations in and around Baltimore.

Duties include assisting DP/B-Cam with g/e, batteries, lenses and media management end of day.

Please only apply if you can work as a local in Baltimore. We cannot provide accommodations or mileage for travel.

Looking for a B-Cam operator local to Baltimore, MD for a new reality paranormal/road trip show. Shooting at a few locations in and around Baltimore.

Please only apply if you can work as a local in Baltimore. We cannot provide accommodations or mileage for travel.

Looking for an audio mixer local to Baltimore, MD for a new reality paranormal/road trip show. Shooting at a few locations in and around Baltimore.

Please only apply if you can work as a local in Baltimore. We cannot provide accommodations or mileage for travel.

Looking for a union audio mixer for a docu-follow series filming in Baltimore for the dates of 5/27 - 5/29. Experience with fast-paced verite style production strongly preferred. Gear already sourced, no additional needed. 650/10.

Looking for a union 1st assistant camera in Baltimore for a production filming in the 5/27 - 5/29 period. Must have experience with long lens focus pulling during live event coverage.

675/10

Looking for a union camera operator locally in Baltimore for a production filming in the 5/27 - 5/29 period. Experience with covering live events with a long lens camera a must.

750/10

I am in need of a DP for a corporate talking head shoot for a half day on May 13 and May 15. This shoot will only be filming 1 subject with 2 cameras for a talking head interview plus B-Roll. There will be a sound guy on set for audio. Sony shooters preferred. The DP will need to have his/her own lighting for a basic 3 point lighting setup with a key, hairlight, and bounce. Please include examples or your reel with relevant corporate talking head work.

I am looking for someone only local to the DC area. We have many shoots within the beltway and would like to add more DP's to our roster that can shoot locally and can hire within a short notice if needed.

2 Half days for DP with lights

Looking for production assistants to support us for filming in Baltimore from 5/26 to 5/30 for a docu-follow series. Duties will include: set & crew support, loading in / out of gear support, meal & supply shopping runs, appearance release signing assistance. Valid driver's license and clean driving record required.

Parab: You will be holdin g a parabolic microphone and point it in the direction of the action to collect audio

20/hr with a guarantee of 10 hours

Looking for a solid DIT for a 5+ camera shoot for a sports docu-series

DIT must have their own kit and software and be extremely organized and follow the file folder structure instructions
per Post Production Management.

Shooting on the FX6 and FX9 + specialty cams and slow motion

Please include resume for consideration.

The Production Coordinator (or Event Manager) is responsible for the onsite organization and administration of gear and crew. They prep the venue prior to the event, transport gear to and from the venue, set up gear on game day, supervise crew schedule, execute the production, and break down equipment at end of event. They must be well organized, extremely punctual, and able to communicate well with supervisors and crew both in person and digitally.

All games at this event will be recorded locally and live streamed for parents, fans, and coaches.

Who: Freelance production coordinator
What: Lacrosse tournament
When: June 26, 2024 (set up June 25, break down June 26)
Where: Annapolis, MD
Why: $400 per day, meals, travel

Responsibilities:
- Receive gear shipment or hand off
- Lead venue set up
- Give direction to crew
- Communicate with event partner and/or facility manager
- Manage game and crew schedule
- Monitor and maintain power, storage, and bitrate
- Charge gear after each event day (if applicable)
- Break down venue
- Return gear shipment or drop off
- Must be available for one pre-production meeting with management team
- Must be available for set up and breakdown days, possibly before and after event days
- May be required to conduct a site visit prior to event

Qualifications:
- Must have experience with sports video production.
- Must have experience with live video production.
- Must be capable of all day activity, standing / walking for long periods.
- Must have transportation to athletic facility.
- Must be able to lift up to 30 lbs.
- Must be able to climb ladder or scaffold.
- Must have valid driver's license.
- Must be 18 or older.
- Must be eligible to work in US.
- Must feel comfortable giving direction to crew.
- Must be capable of efficient digital communication (text, phone, email).

The Production Coordinator (or Event Manager) is responsible for the onsite organization and administration of gear and crew. They prep the venue prior to the event, transport gear to and from the venue, set up gear on game day, supervise crew schedule, execute the production, and break down equipment at end of event. They must be well organized, extremely punctual, and able to communicate well with supervisors and crew both in person and digitally.

All games at this event will be recorded locally and live streamed for parents, fans, and coaches.

Who: Freelance production coordinator
What: Lacrosse tournament
When: July 10, 2024 (set up July 9, break down July 10)
Where: Baltimore, MD
Why: $400 per day, meals, travel

Responsibilities:
- Receive gear shipment or hand off
- Lead venue set up
- Give direction to crew
- Communicate with event partner and/or facility manager
- Manage game and crew schedule
- Monitor and maintain power, storage, and bitrate
- Charge gear after each event day (if applicable)
- Break down venue
- Return gear shipment or drop off
- Must be available for one pre-production meeting with management team
- Must be available for set up and breakdown days, possibly before and after event days
- May be required to conduct a site visit prior to event

Qualifications:
- Must have experience with sports video production.
- Must have experience with live video production.
- Must be capable of all day activity, standing / walking for long periods.
- Must have transportation to athletic facility.
- Must be able to lift up to 30 lbs.
- Must be able to climb ladder or scaffold.
- Must have valid driver's license.
- Must be 18 or older.
- Must be eligible to work in US.
- Must feel comfortable giving direction to crew.
- Must be capable of efficient digital communication (text, phone, email).

Looking for several solid PA's to assist with the following:

releases
driving production vehicles
supporting camera dept with unloading and loading
crew meals
runs


This is a docuseries focused on sports and we have requirements to dress professionally at our race venues

Show black, button downs, polo shirts and slacks.

The Camera Operator is responsible for live capture of on-field play. They may be responsible for camera, tripod, elevation set up. They receive instruction from Production Coordinators and Video Controllers on when and how to frame the action. They must be well organized, extremely punctual, and able to communicate well with supervisors and crew both in person and digitally.

All games at this event will be recorded locally and live streamed for parents, fans, and coaches.

Who: Freelance camera operator
What: High school lacrosse games
When: May 10 (one game)
Where: Bethesda, MD
Why: $100 per game (Rate is per game, approx 2-3 hours.)

Responsibilities:
- Assist with venue set up
- Monitor and maintain power, storage, and bitrate
- Charge gear after each event day (if applicable)
- Break down venue

Qualifications:
- Must have experience with sports video production.
- Must have transportation to athletic facility.
- Must be able to climb ladder or scaffold.
- Must be 18 or older.
- Must be eligible to work in US.
- Must be capable of all day activity, standing / walking for long periods.

The Production Coordinator (or Event Manager) is responsible for the onsite organization and administration of gear and crew. They prep the venue prior to the event, transport gear to and from the venue, set up gear on game day, supervise crew schedule, execute the production, and break down equipment at end of event. They must be well organized, extremely punctual, and able to communicate well with supervisors and crew both in person and digitally.

All games at this event will be recorded locally and live streamed for parents, fans, and coaches.

Who: Freelance production coordinator
What: Lacrosse tournament
When: May 17-19, 2024 (set up May 17, break down May 19)
Where: Baltimore, MD
Why: $400 per day, meals, travel

Responsibilities:
- Receive gear shipment or hand off
- Lead venue set up
- Give direction to crew
- Communicate with event partner and/or facility manager
- Manage game and crew schedule
- Monitor and maintain power, storage, and bitrate
- Charge gear after each event day (if applicable)
- Break down venue
- Return gear shipment or drop off
- Must be available for one pre-production meeting with management team
- Must be available for set up and breakdown days, possibly before and after event days
- May be required to conduct a site visit prior to event

Qualifications:
- Must have experience with sports video production.
- Must have experience with live video production.
- Must be capable of all day activity, standing / walking for long periods.
- Must have transportation to athletic facility.
- Must be able to lift up to 30 lbs.
- Must be able to climb ladder or scaffold.
- Must have valid driver's license.
- Must be 18 or older.
- Must be eligible to work in US.
- Must feel comfortable giving direction to crew.
- Must be capable of efficient digital communication (text, phone, email).

We're looking for a sound mixer for an upcoming non-union shoot in Baltimore on May 8. This is corporate shoot where we will be filming a number of people reading off a teleprompter. Only one person will be on camera at a time. You must be able to work as a local and provide your own transportation to and from set. Please include relevant experience and equipment list/rates. Thanks!

Looking for a seasoned audio mixer with gear for a docu-series filming at a sports venue. We are a small crew
and keep a minimal footprint and appreciate good people with a positive demeanor.


Audio Package should contain:

multichannel mixer
4 lavs
boom

Rate is dependent on experience
Mixer should have their own gear and that will be negotiated separately