Apply to this Post Production Coordinator Job

Responsibilities include, but are not limited to:

-overseeing AE, coordinator, and/or PA day-to-day scheduling

-ensuring proper workflows are being implemented

-overseeing release passes

-overseeing transcription and/or translation needs per series

-tracking and responding to Legal, S&P, and R&C notes

-building and maintaining finish and delivery schedules

-creating blur, bleep, and text lists

-attending online & mix review and ensuring the delivery of error free masters

-overseeing completion of paper deliverables


There is a 1-2 day per week in-person requirement for the first 30 days of employment at our midtown Manhattan offices where you’ll learn our procedures and workflows, after which, the job can be performed remotely.

Office hours EST (10a-8p)

We are looking for an editor to create 5 x :15 Social Media videos for American Express.
The ideal candidate has extensive experience in advertising and documentary editing.
Please include work samples/portfolio.

We are seeking a Post Production Technical & Creative Assistant. The candidate must be highly technical with knowledge of digital tools. We work with Avid Media Composer so we need someone with basic knowledge on how Avid works. The role requires someone flexible who can evolve with the project as the project expands during post development. The ideal candidate will also be creative with a strong desire to learn and grow.

This part-time position starts in early June and runs through approximately 6 months with the possibility of extension. Must be based in NYC and able to work in person. Salary commensurate with experience.

Qualifications
-Must be proficient in Google Suite, Asana, Video Editing Software
-Exception work ethic
-Strong communication skills, verbal and written
-Detail oriented
-Strong time management skills and ability to thrive in a fast paced environment
-Willingness to learn new applications and technology
-Loves to collaborate and works well with others
-Highly technical person
-High energy person with good vibes
-Resourceful and problem-solving mindset
-Avid Media Composer experience a plus but not required
-Position is in person at our Brooklyn office, 3 to 5 days a week
-Strong computer skills

Responsibilities include

-Filtering footage for translation, exporting, tracking what is sent to the translation team, managing a shared translation calendar.
-Avid Project Management: creating media folders / bins
-Backing up Media: Moving data between hard drives and cloud back ups, etc.
-Manage the Media Manager log of the breakdown of all media
-Manage the project scene log. Add tag words or update with new shoot days. Breakdown and log scenes.
-Help locate and log specific scenes, shots, characters and moments in the footage.
-Add tags to the log, get scenes on and off my miro white board, print scene boards, change naming conventions,
print the scenes, locate footage, etc.
-Work with the director and editors to locate footage, create B-roll sequences and gather footage on specific topics
inside the Avid Project
-Sit in on meetings with director and editors, track story beats and arcs and help coordinate everyone around a miro
board.
-Purchase and install software, manage software licenses, troubleshoot basic technical problems
-Maintaining social media pages
-Run office errands
-Additional office duties as required: purchasing office supplies, office craft, booking cleaning services, etc.

Job description
Overview:

Condé Nast Entertainment is looking for video editors to cut Ukrainian-language digital content. Candidates must speak fluent Ukrainian and be able to translate and edit videos involving Ukrainian-speaking talent. CNE Video Editors bring compelling, culturally-impactful, entertaining, and diverse creative content to life every day. Candidates should be natural storytellers and creatives first, interested in a role that spans a wide array of projects and styles, and able to collaborate with many creative partners in Production and Programming. This position works closely with Directors, Producers, Post Production Supervisors, other post-production team members, and reports to the Supervising Editor.

Primary Responsibilities:

Edit a variety of complex digital video concepts across Condé Nast’s portfolio of brands, primarily for YouTube in both English and Korean
Collaborate with Directors and Producers to meet the creative and technical goals of each unique project
Able to quickly and independently cut to the essence of a story, and create compelling and entertaining narratives from diverse raw materials
Maintain active lines of communication with Post Production Supervisors, Directors, and Producers throughout the course of a project; be vocal when it comes to a project’s scheduling, creative, and technical needs, and flag concerns or delays promptly
Time management skills and flexibility are key to successfully stay on schedule in CNE’s fast-paced, high-volume post-production environment.
For any assigned project, complete motion graphics, color correction, sound design and mix, deliverables, and cue sheets
Desired Skills and Qualifications:

Fluency in Ukrainian required
Minimum 4 years editing experience, primarily in digital video content; past work in a fast-paced, high-volume studio, media company, or post facility environment preferred
Must be proficient in Adobe Premiere, with advanced capabilities with After Effects strongly preferred
Strong finishing skills; able to handle color correction, sound mix, motion graphics, and possess the capability to deliver high quality design and stylized content
Strong understanding of editing principles and current digital trends, with an ability to tell a cohesive story
Must have impeccable organizational and communication skills
Must be able to self-organize priorities to ensure that deadlines are met, adhering to best practices set forth by senior management
Ability to problem solve and work through issues and produce under the pressure of deadlines
What happens next?

If you are interested in this opportunity, please apply below, and we will review your application as soon as possible. You can update your resume or upload a cover letter at any time by accessing your candidate profile.

A portfolio, viewing room, or links to individual, applicable pieces of past work is required. Videos that have achieved demonstrable success on YouTube are desired. Demo or sizzle reels are discouraged.

Condé Nast is an equal opportunity workplace.
Duties and responsibilities may be adjusted based on years of experience.
Salary is also commensurate with experience.

Job Type: Full-time

Benefits:

Flexible schedule
Schedule:

8 hour shift
Monday to Friday
Experience:

Adobe Premiere: 1 year (Preferred)
Adobe After Effects: 1 year (Preferred)
Work Location: Remote

Looking for two remote Avid editors for a comedy series starting in June. Must have comedy credits and experience working in TV, please do not apply if you don't have this experience.

Please include at least 3 samples of comedy shows you've edited and a link to your iMDB page.

Junior Video Editor / Technical Operations
Quite Frankly Productions – Shaping Stories, Showcasing Brands

We're on the hunt for a Junior Video Editor with a knack for storytelling and a keen eye for detail to join our energetic team at Quite Frankly Productions. In our fast-paced environment, you'll collaborate on a variety of projects, bringing creativity and technical expertise to deliver content that makes an impact.

Key Responsibilities:
Work with your QF Producer to craft compelling video content, ensuring alignment with the narrative vision and pacing.

Utilize advanced video editing tools, including Adobe After Effects, Premiere Pro, Audition, and Photoshop.

Manage multiple editing projects simultaneously, maintaining organization and adhering to deadlines.

Work with your QF Producer to interpret client briefs and feedback with precision, ensuring their vision is realized through your edits.

Proactively troubleshoot and resolve technical issues during the editing process.

Continuously update and refine editing skills, staying current with industry trends and software updates.

Act as a collaborative and flexible team member, ready to assist across a range of tasks.

Qualifications:

1-3 years of experience in video editing.

Strong portfolio showcasing a range of editing styles and techniques.

Proficiency with Adobe Creative Suite and comfort working on both Mac and Windows platforms.

Excellent communication skills and the ability to work well both independently and as part of a team.


Our Promise:
Work with a diverse range of content, from social media snippets to corporate communications.
Be part of a team that values creativity and technical proficiency equally.
Opportunity for professional growth in a supportive and dynamic workplace.


Position Details:

An initial 3-month trial contract, with potential to move to full-time employment.
Competitive salary range.


Apply Now:
Interested candidates should send a resume and portfolio to [Please reply using Staff Me Up].

Quite Frankly Productions is your stage to create, refine, and share stories through the art of video editing.

Looking for Production Assistants familiar with Avid to review, mark and organize footage for national cable outdoor program. Additional duties include tracking storylines and weekly meetings with story producers & editors. Must be highly organized, proficient at AVID, Google Docs, Microsoft Excel & Word

I need to start building up a roster of freelance video editors to help me with future overflow projects. Have you ever been told by multiple clients that you're a fast editor? Do you feel comfortable modifying pre-built After Effects templates to customize them to match the client's brand? If so, please respond with the following information:

1. Your website
2. Links to show videos you've edited that incorporate After Effects graphics that you've created from templates in order to give your clients custom branded graphics.
3. Your rate
4. Do you have an Envato Elements account?
5. (There's a potential project may or may not happen May 29th,30th,31st and June 1st. Please mention in your response if you're available those days.)

-Must have fast internet.
-Must have latest version of After Effects and Premiere.
-Must be able to work from home.
-Must be very comfortable modifying pre-existing After Effects templates and customizing them to the client's brand.

Seeking Colorist to color dailies for a branded podcast.

Must be experienced in beauty looks, technically proficient, and available to start ASAP, 5/23-5/24

Our studio uses DaVinci resolve and we'd love someone to come in-house here in Los Angeles and work the day to prepare these dailies. Remote could also be an option for the right candidate.


Thanks

Hello!

We are looking for a Graphics Operator for our ongoing Summer Camp Live stream throughout Summer. This will be a gig for every other Saturday from June to August, with a couple rehearsals that start at the end of May. We are hoping our selected operator can be available for all below dates. The live Saturdays will be early mornings, but only half days since the live stream is only about 20 minutes long.

For graphic control playback, operators will need to know how to comfortably use an Elgato Stream Deck XL, as well as be comfortable with Keynote, PowerPoint, and Playback Pro.

Production schedule:

May 31st - Tech Rehearsal
June 7 - Dress Rehearsal
June 8 - Camp Live Stream
June 22 - Camp Live Stream
July 6 - Camp Live Stream
July 20 - Camp Live Stream
August 3 - Camp Live Stream
August 17 - Camp Live Stream

Looking for an editor to edit a short, unscripted project. Good sense of story, comedy and timing.

Looking for a local San Diego Editor who has their own editing software to create engaging short-form digital content for online distribution (YouTube, Instagram, TikTok, as well as various platforms) and has tv reality and doc experience. This position is currently only 3 weeks with potential to be a full time gig if project is picked up with rate to be discussed /negotiated once picked up and there is a budget.

Looking to start someone on June 3rd or sooner

Applicants must have exceptional communication skills, rigorous attention to detail, extensive knowledge of film and TV fandoms, and a passion for creative work.

***TO BE CONSIDERED: You must have digital/brand agency and/or production company experience.

Responsibilities
craft engaging short form videos with tight turnaround times
Create motion graphics including lower thirds, full-screen text, custom image layouts, and more
Revise videos after receiving internal and client feedback
Finish projects with music, color correction, and sound mixing
Keep projects meticulously organized and labeled properly

Qualifications/Requirements
Minimum 5 years editing experience in short form and long form editing
Creates digital video content that is adaptable to multiple social and digital video platforms.
Minimum 3-4 years professional experience audio mixing, sound design, and color correction.
Strong passion for film and TV, music, pop culture, internet trends, and social media
Ability to work creatively under quick turnaround times
Ability to prioritize deadlines and work on multiple projects at once
Ability to problem solve and find solutions to creative challenges
Strong communication skills and professional presence
Passionate about storytelling and crafting engaging and professional content
Have a positive attitude and a team player

Samples/reels of work will be required.

Editor needed for a digital game show series.

Although distributed through YouTube, this series is formatted similarly to the production value of a television show. In other words, the edit lift is quite heavy compared to what you would think an "average" YouTube edit would be. These edits are comprised of several camera angles, up to nine microphones, and multiple scenes.

The editor needs to be comfortable building story, editing with comedic timing, and dialogue editing. 
The best candidate for this role would be an editor who has experience in editing game shows, reality shows, or quick-paced comedy shows with lots of camera angles and audio tracks to manage. 



This is primarily a remote position, but the selected editor WILL BE REQUIRED TO SPEND AT LEAST ONE DAY ON-SITE to get acclimated with our post-production workflow and to receive the necessary assets / footage.

Adobe Premiere

RATE: $1,000.00 - $1,200.00 / Weekly

Production is hiring an editor IMMEDIATELY at the rate range above and is expected to begin work by Monday (May, 27th).