Apply to this Post Production Supervisor Job

Looking for a Post Production Supervisor for an established competition series - Avid, 9 cameras, digital and remote workflow.

Key Responsibilities

Project Management:
• Collaborate with the Producer team to align on post-production deliverables and deadlines.
• Lias with Executives and Network to execute post-production schedule and resource allocation plan
• Coordinate with various departments to ensure seamless workflow and timely delivery of project components.
• Monitor project progress, identify potential issues or delays, and implement solutions to keep projects on track.

Team Management:
• Supervise AEs and overall project maintenance/delivery schedule
• Assign tasks, set priorities, and provide guidance to team members to ensure efficient and high-quality work.
• Foster a positive and collaborative work environment, promoting effective communication and teamwork among the post-production team.
• Coordinate with external vendors through post and online

Quality Control:
• Ensure the technical and creative quality of all post-production deliverables, including video/audio quality, color, visual effects, and overall aesthetic consistency.
• Review and provide feedback on graphics, visual effects, and other elements to ensure alignment with project goals.
• Implement quality control processes that confirm video quality prior to being sent to client for review.

Communication and Collaboration:
• Serve as a primary point of contact for all post-production-related inquiries and updates.
• Communicate project status, progress, and any potential issues to executives, prod co and network in a clear and timely manner.

Position can be performed remotely

Editor for Indie Horror Feature; Run time 75-80 minutes; ideal candidate has experience with horror films and feature films; ideal candidate has worked on major projects for large studios / streaming (Netflix, Hulu, etc.) or similar; experience with pseudo-scripted material preferred; candidate should make this their primary project; ideal candidate has strong sense of humor and commitment to the art of film and film + cinema knowledge; ideal candidate is hungry to make top notch projects and continue ascending in their career; candidate should provide reel and 2 work references.

Team will coordinate with Editor to bring on AE for media management as needed. If Editor has own preferred process for this, team is open to discussion. Must have own cutting station. Can be performed Remotely.

Avid or Premier OK; open to discussion. NYC or LA preferred.

Busy Post Production studio is looking for an experienced assistant editor for a docufollow series. Tasks include organizing and ingesting footage, grouping and syncing footage with audio, and prepping sequences for edit. This position is for a swing shift and candidates could be working nights and weekends.

Our pace is fast and furious, so we're looking for experienced AEs who can work quickly and keep track of multiple tasks. Experience with Avid and a willingness to work in office full time are a must!

Once hired, you will submit timecards or invoices and be paid weekly.

Looking for a full-time Post Production Coordinator to work across various unscripted shows on major TV networks. Will be working directly with the VP of Post and Assistant Editors.

Duties include:
- Prepping workflow documents at the start of the season
- Coordinating with the field with releases, production stills, and third-party media
- Coordinating with Post team on any stock and GFX needs
- Managing deliverables such as final script, music cue sheets & Texted Elements Log
- Review Online delivery for blurs & bleeps

Skills needed:
- Adobe Premiere and Photoshop
- Slack
- Google Drive, Docs + Sheets

Experience coordinating unscripted is a major plus. This is an in-office position in Studio City.

Looking for a highly talented editor with compositing experience to edit a 3 min short which will be shot in early May.

The film is about loneliness, nature, and basketball.

Must be collaborative + flexible + creative as this project is somewhat surreal. Must also have a strong understanding of visual storytelling.

If interested, please send samples and/of reels of your work.

Looking for an AE with media management experience and Avid expertise. Job will be Monday-Friday in office at Venice, CA. Flexibility with hours needed but no crazy long days. Familiarity with Netflix media management is a big plus.

More detailed description:
The Edit assistant will follow the workflow set out in the Post Production guidelines below. The edit assistant will be responsible for wrangling of all camera cards, saving and backing up the footage. They will be required to be in the office to manage all the media coming and going from location, saving using correct naming conventions and logging this footage in the database. They may be required to have flexible work hours on occasions to ingest media for a tight turn around. They will also be required to do cast cutdowns and scene cuts as instructed by the Director or Senior Field Producer The edit assistant will also communicate regularly with the Sydney, Australia Post Production team as they will work closely on downloading all the footage sent from the US office. There is a tight turnaround between the shoot and the edit happening in Australia ,the edit assistant needs to make sure that efficiency and attention to detail at all times.

Looking to hire a creative and intuitive Los Angeles editor with an eye for detail and actor performance for an indie thriller/action film. Aprox 90 min.

Movie has a few Jason Bourne fights in it and needs a clean steady smooth flow like a David Fincher film. Work closely with director. Premiere or Avid but not looking for Final Cut.

2 month turnaround. Someone with a good attitude

Must be able to work with out rate our please do not reply.

ISO unscripted Editors for a new daily syndicated Crime Series. Please only apply if you have prior True Crime Credits

Please send resumes
Thank you!

Please read this entire post. We will get a huge response and so if you want to be considered, then please give me what I have requested. If not, then your response will be deleted since we'll get what we are requesting from so many others.

I'm looking for your best daily rate for 5 - 6 days per week until we're finished.

I am looking for an experienced documentary editor for a project I'm producing. I want someone that is creative for this project, that really understands storytelling, and someone that can create everything needed including photoshop and after effects elements.

I am looking for someone that is easy to work with, flexible, and very creative. You will be working with the director on this edit, and we want someone that has a lot of creativity. This documentary is about an internationally known artist and the making of his hit song and music video. Please include a cover letter as to why you think you're the right person for this job.

You must use Adobe Premiere Pro for the edit.

We're located in Los Angeles, CA and we'd like to find someone local. But we are open to someone doing the job remotely as well.

If you are an experienced editor that has edited full length feature documentaries, then please send me links so that I can see your documentary work where you did the entire edit yourself. If you don't have this, then please don't apply.

Again, I am looking for a professional that has a lot of experience. This job will last for a few months. Please give me your best daily rate for this job.

- Must be proficient in Avid Media composer
- Media Management: Strong understanding of media ingestion, logging, transcoding, syncing audio and video, and organizing footage in digital asset management systems.
-Rough assembly as needed
- Knowledge of After Effects (most likely will be editing text templates)
- Ingest music
- Install Fonts on editors' machines
- Export backup daily edits
- Backup final masters