Apply to this Sound Engineer Job

Sound engineer needed for 6/14—interview-based branded content shoot with some b-roll. Shoot will be 8 miles from Miami airport. Sound kit must include 3 headsets for client at video village & ability to mic up to two subjects to be interviewed together. Contractor will provide a W9 to production before shoot day and be paid by check end of day.

Hello!

We are looking for a Sound Engineer for our ongoing Summer Camp Live stream throughout Summer. This will be a gig for every other Saturday from June to August, with a couple rehearsals that start at the end of May. We are hoping our selected engineer can be available for all below dates. The live Saturdays will be early mornings, but only half days since the live stream itself is only about 20 minutes long.

Engineers will need to know how to comfortably use a Midas M32 LIVE 40-channel Digital Mixer. Engineers should also be comfortable with Shure, wireless workbench, some familiarity with doing remote calls or zoom calls into a live production - anyone familiar with live webcast or broadcast would be a plus

Production schedule:

May 31st - Tech Rehearsal
June 7 - Dress Rehearsal
June 8 - Camp Live Stream
June 22 - Camp Live Stream
July 6 - Camp Live Stream
July 20 - Camp Live Stream
August 3 - Camp Live Stream
August 17 - Camp Live Stream

SHOW DESCRIPTION - 

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.



POSITION SUMMARY

- We film on Canon 5D Mark IVs.
- We record at 48000 khz, 24 bit, shoot at 29.97 drop-fps and do not require timecode jamming.
- Audio must be recorded to separate tracks - we have to be able to split audio. Mixdowns and backup tracks are welcome but no mixdown as primary track.
- Hops are not necessary but welcome if no additional cost.
- Minimum of (1) IFB required for the producer to monitor audio.
- At least two subjects, no more than four, requiring wireless lavalier microphones throughout the interview and following activities.
- Booming additional subjects and activities will be required.
-Mic redundancies required for sit-down interviews when there are 2 subjects (aka 2 lavs and 2 booms).
- We will provide an SD, CF card or both for each day we film and then collect upon wrapping.




REQUIREMENTS / QUALIFICATIONS 

- Ability to troubleshoot technical difficulties
- Ability to work under stressful and extreme conditions, as well as quickly adapt to last-minute schedule changes
- Be teachable and willing to learn new workflows
- Ability to work under strict deadlines

SHOW DESCRIPTION - 

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.



POSITION SUMMARY

- We film on Canon 5D Mark IVs.
- We record at 48000 khz, 24 bit, shoot at 29.97 drop-fps and do not require timecode jamming.
- Audio must be recorded to separate tracks - we have to be able to split audio. Mixdowns and backup tracks are welcome but no mixdown as primary track.
- Hops are not necessary but welcome if no additional cost.
- Minimum of (1) IFB required for the producer to monitor audio.
- At least two subjects, no more than four, requiring wireless lavalier microphones throughout the interview and following activities.
- Booming additional subjects and activities will be required.
-Mic redundancies required for sit-down interviews when there are 2 subjects (aka 2 lavs and 2 booms).
- We will provide an SD, CF card or both for each day we film and then collect upon wrapping.




REQUIREMENTS / QUALIFICATIONS 

- Ability to troubleshoot technical difficulties
- Ability to work under stressful and extreme conditions, as well as quickly adapt to last-minute schedule changes
- Be teachable and willing to learn new workflows
- Ability to work under strict deadlines

Seeking experienced Sound Designer with an enthusiasm for creative collaboration, for an award-winning director’s 5th narrative feature. Past films have won multiple awards at prominent festivals and have enjoyed worldwide distribution. Significant progress has already been made on the sound mix including ADR, foley, and score. Designer would be bringing the film across the finish line with fresh ears and their own creative ideas, in collaboration with director.

Film is a SAG Ultra-Low Budget production, and candidate must be local to NYC to work with the director in person.

Freelance SOUND MIXER

for a reality TV shoot --
in and near Bay Shore, NY
May 24th - May 27th

• Shoot date:
5/24 - 5/26 - Verite
5/27 - Interview

• Day Rate: $550.00 / 12 hours
• Audio Kit Rate: $300.00 / day

• Travel / Self Report: You will need your own vehicle to travel / self report to the crew hotel / interview location on the production day.
• Production minivan will be provided to commute from crew hotel to shoot locations and back.
• Production minivan will also be provided for runs.

• Do you have a valid driver license?
• Do you own your vehicle in which you can report to / leave from crew hotel and / or set location on shoot dates?

JOB POSTING: We are an Equal Opportunity Employer and do not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

I am looking for a Sound Mixer for June 10th and June 11th for my short film "Heaven's Diner."

Heaven’s Diner is run by women of color who have taken justice against harassers into their own hands. They hire Lilah to walk down NYC streets at night to scout and bring back male catcallers to the diner. The staff then work together to kill and butcher the men into burgers.

It is important to me to elevate women and non-binary people in filmmaking. As a result, I will have an all female/non-binary crew, with a particular emphasis on people of color.

Looking for a Sound Mixer in the NYC area for a branded content shoot. We'll be capturing interviews and b-roll. Must be professional, experienced, reliable, and punctual. Please include your resume and any references.

*Must have own equipment.

Looking for a Sound Mixer for a small shoot in New York.
Need to have their own kit with 5 lavs.

Thank you!

$600/day
All in rate (labor+kit fee)

An art gallery in West Hollywood is hosting a live conversation between an artist and a host in front of a small audience. I need a sound recordist who can lavalier both subjects and operate a boom mic between the two, while roaming the gallery. Media will be dumped at end of shoot. Live event is 1x hour from 5-6PM. This is a flat fee for a 1x day shoot.

Looking for a Sound Op for a small documentary shoot in Detroit on 5/29 and 5/30. We are doing sit down interviews and some Verite.

Searching for an Audio Mixer with their own gear to work on a small crew filming a documentary in Nashville TN and the surrounding area.
 
Essential responsibilities will include but not limited to:
* Film verite’ and a variety of sit down and on the fly interviews
Basic Requirements:
* 5+ years of filming experience required
* Willingness to work overtime and be flexible with hours
* Must be able to pick up and carry at least 50lbs
* Must be 18 years or older
* Must be okay working 12 hour day
* Must have a valid driver's license, reliable vehicle, car insurance, and a satisfactory driving record (we cover local mileage reimbursement, but do not cover travel or accommodations). 
Additional Requirements:
* Required On-Site: This position is required to be performed full-time from a designated worksite in or around Nashville TN
Pay Range: $42-51 for /12hour. Will also pay a gear rental fee of $330/day. 
The amount offered and paid depends on factors including, but not limited to, engagement length, production location, budgetary considerations, and the individual’s skills and experience.
 
It is our policy is to provide equal employment opportunities to all applicants and employees without regard to race, color, religion, creed, gender, gender identity or expression, age, national origin or ancestry, citizenship, disability, sexual orientation, marital status, pregnancy, veteran status, membership in the uniformed services, genetic information, or any other basis protected by applicable law.

Looking for a sound recordist with a wireless LAV Mic, shotgun mic, boom pole, and external recorder. This will be for a 5 hour b-roll & interview shoot on June 12th in Charleston, SC.

Looking for a flexible, friendly, professional Sound Op. Must be LOCAL to San Diego. If you are not local you will not be considered. This is for a sports docuseries. 2 shoot days including verite and an interview.

Gear kit should include mixer, boom, 4 lavs, 2 IFBs, timecode and 2 hops

Please provide 2 references.

Looking for a sound person for approximately 4 hour shoot. Part of it is audio during a live stage event, feed from the board, and maybe a lav. Other part is two shot interviews with a hard wired mic that I own. Outdoors, shooting June 23rd.

We are looking for a mixer on Saturday 5/25 to help us shoot a sporting event with a small documentary crew. Gear will be provided.

600/12

Seeking a local mixer with gear, for a sports follow docu series. Must have prior experience as a sound mixer on a verite documentary or documentary series.

If possible, please attach your resume, or include link to website and/or IMDB.

Looking for a Boom Operator to join us for a 3 day shoot at the end of June, in Harrisonburg VA. You'll work closely with the sound mixer to mic up all the talent and make sure we are getting the cleanest sound possible from the boom. Standard boom op stuff.

We can offer a small travel bump to cover gas and will put you up for the duration of production.

$450/12

Looking for an experienced Sound Mixer for a public television food series we are filming in Kansas on June 18th & 19th. We'll be filming with various food cultivators and chefs around the state (with driving between segments), so must have reliable vehicle.

On June 18th, we'll be filming in Lawrence and Cheney and ending our day in Wichita.
On June 19th, we'll be filming in Goessel, Newton and Peabody, and ending our day in Wichita.

Assuming applicant is based in Wichita, mileage will be provided, as well as a $400 travel stipend and lodging for the evening of June 17th. (Our first location, Lawrence, is about a 2 hr, 30 min drive from Wichita.)

We'll be capturing interviews, b-roll and walk and talks using 2x C70s & 1 R5C. Kit must included tentacles to sync up the time code (3 total, 1 per camera), personal mixing/recording gear, a boom mic/pole and 3 lavs. The rest of the crew will be traveling in, so bonus points if you are able to help us secure a couple of c-stands and some sand bags for the camera team.

Rate is $800/12 Hours, with OT after 12 @ 2x. $400 kit rental/day. Please apply if interested, and I will follow up with additional details. Thank you!

SC Pictures is shooting a variety of docu-style video commercials for Fintepla, and we are shooting one about a child in Detroit. We need to hire local crew for the 1 day shoot on June 15th. The shoot day will be roughly 12 hours. Full payment of the pay rate will be included if sound mixer brings their own gear.