Camera Department Production Jobs

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

SHOW DESCRIPTION

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.

RESPONSIBILITIES

• Capture video on location using company provided equipment (we film on Canon 5D Mark IVs)
• Coordinate with producers regarding content

REQUIREMENTS/QUALIFICATIONS

• Ability to capture video without script or direction from producer
• Ability to work under strict deadlines

SHOW DESCRIPTION

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.

RESPONSIBILITIES

• Capture video on location using company provided equipment (we film on Canon 5D Mark IVs)
• Coordinate with producers regarding content

REQUIREMENTS/QUALIFICATIONS

• Ability to capture video without script or direction from producer
• Ability to work under strict deadlines

week long shoot, still locking final days but 5-7 days, week of May 27th

Sony Venice + anamorphics

Looking for camera operators for the Southern States Horse Show.

The show starts Wednesday morning with 2 sessions a day. The sessions usually last around 3-4 hours and the time in between sessions is yours. Training on the content is provided on site. Cameras are simple to use -- this is a flypack-based webcast.

We pay per session. It's $125/session and each day has 2 sessions.

Looking for camera operators for the Madison Classic Horse Show. Canon G40/Panasonic x2000

Days are broken into 1-2 sessions, usually lasting around 2-4 hours each. Training on the content is provided. Cameras are simple to use -- this is a flypack based webcast. The rate is $125/session and this show has 7 sessions.

Will be expected to strike and have some flexibility.

Destination Philadelphia Season 1 will be filming starting June 10th, 2024! We are looking for an eager and motivated Director of Photography to join our crew on travel lifestyle content.

Ronin RS2 advanced knowledge
Blackmagic 6K Pro advanced knowledge
Strong DP experience
Can provide a reel of their work
Strong communication skills
Basic media management experience
Reliable transportation
Scheduled 1 to 3 days a week
4 hours a shoot, 2 shoots a day
Pays $300.00 a day

Blackmagic 6K Pro

Looking for an experienced 2DP for a tentative shoot in Rexburg, ID 6/11 - 6/12

Needs to have their own camera package.

DP will provide G&E.

APPLICANT must be local or willing to work as a local - accommodations will not be provided.

Must have experience with 2-camera shoots and shooting docu-follow style. Experience on HGTV shows a plus.

EOE. This company is an equal opportunity employer to all, regardless of age, ancestry, association with a member of a protected class, bereavement leave, color, disability, exercising the right to family care and medical leave related to serious health condition of employee or family member, child bonding, or military exigencies, engaging in protected activity, gender identity or expression, genetic information or characteristic, marital status, medical condition, military and veteran status, national origin, pregnancy, childbirth, breastfeeding, or related medical conditions, Pregnancy Disability Leave (PDL), race (includes hairstyle and hair texture), religious creed (includes dress and grooming practices), reproductive health decision making, sex/gender, and sexual orientation.

ISO of a Videographer. Please see details below.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.


As part of our team, you'll play a crucial role in capturing video content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our Director to understand their vision and requirements.
- Assist with scripted interviews using two-camera setups.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a Company Director
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

Gear Needed: None unless specified by the Director (such as a tripod)

Day Rate: $450/8
Overtime: $84.38 per hour.
Meal Reimbursement: Up to $50 for food per day


Additional Compensation: Contractor will receive an additional $100 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.

We have an exciting opportunity for a production team of two including a Lead Videographer & Second Shooter to join our team and produce high-quality content for a client in the women's medical aesthetics field. Considering the specific focus of the project, we strongly advise assembling a team of two individuals, with at least one being female, to ensure the comfort and suitability of our client.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.


As part of our team, you'll play a crucial role in capturing video and photo content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our client to understand their vision and requirements.
- Conducting scripted interviews using two-camera setups.
- Capturing captivating still shots for marketing campaigns.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a remote Producer who will be streaming for the first half of the day
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

Gear Needed:
-Cam A
-Cam B (that is also able to produce photos)
-2 Tripods
-Teleprompter
-Laptop (Apple Macbook preferred but not required for broadcasting live footage)
-Computer/Laptop for uploading content to hard-drive and shipping out to our office in Austin, Texas
-Audio (preferably a LAV system)
-Continuous light coverage for 1-subject interviews and treatments (if necessary)
-Slate

Day Rate: $1000/8 (for both creators)
Overtime: $187.50 per hour
Meal Reimbursement: Up to $100 for food per day
Equipment Rate: $500 per day

Additional Compensation: Contractor will receive an additional $200 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.

Looking for a qualified DIT for a Corporate training video series for a major tech company in Mountain View, CA. Please be willing to provide examples of your work upon discussing the project further. Prefer someone that can also AE as well in conjunction.

$300 daily rate for 12 shoot days at 12 hour days, $400 if you can also AE for the project

We are looking for an experienced DIT who is local, or willing to work locally, to the Houston, TX area. (Travel will not be accommodated) This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Day: Mon 6/10
Rate: $500/12
Job Type: Non-Union

We are looking for an experienced VTR who is local, or willing to work locally, to the Houston, TX area. This job is non-union, capturing short-form digital content.

Shoot Day: Mon 6/10
Rate: $800/12
Job Type: Non-Union

We are looking for an experienced 1st AC who is local, or willing to work locally, to the Houston, TX area. This job is non-union, capturing short-form digital content.

Shoot Day: Mon 6/10
Rate: $650/12
Job Type: Non-Union

Director of Photography for a micro budget web series shooting for 2 days in late May in Los Angeles.

We are looking for an experienced DIT who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $500/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

We are looking for an experienced 1st AC who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $650/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

We are looking for an experienced VTR who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $800/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

We have an exciting opportunity for a production team of two including a Lead Videographer & Second Shooter to join our team and produce high-quality content for a medical aesthetic client.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.


As part of our team, you'll play a crucial role in capturing video and photo content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our client to understand their vision and requirements.
- Conducting scripted interviews using two-camera setups.
- Capturing captivating still shots for marketing campaigns.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a remote Producer who will be streaming for the first half of the day
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

Gear Needed:
-Cam A (preferably RED, Black Magic, or Sony digital cameras)
-Cam B (that is also able to produce photos)
-2 Tripods
-Teleprompter
-Laptop (Apple Macbook preferred but not required for broadcasting live footage)
-Computer/Laptop for uploading content to hard-drive and shipping out to our office in Austin, Texas
-Audio (preferably a LAV system)
-Continuous light coverage for 1-subject interviews and treatments (if necessary)
-Slate

Day Rate: $1000/8 (for both creators)
Overtime: $187.50 per hour
Meal Reimbursement: Up to $100 for food per day
Equipment Rate: $500 per day

Additional Compensation: Contractor will receive an additional $200 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.