-Bulk of work was client facing -Managed a team of 27 Developers, Designers, and QA personnel -Worked closely with Artistic and Technical leadership -Built and maintained a Master Schedule -Juggled up to a dozen or more projects at a given time -Developed a new, more effective workflow for the QA Department
Summary
I have 8 years experience in Production Management. The bulk has been in Anim/VFX, but I am looking to branch out. I've had excellent management training and will be able to handle anything you throw at me. Hire me and you will not be disappointed.
Credits
4/18 – 7/18
Art Director – ABC/ Untitled Shondaland Grey's Anatomy Firefighter Spinoff Series (Season 2)
ABC — TV — Shondaland
4/18 – 7/18
7/12 – 10/12
Production Supervisor (Digital Publishing Production Supervisor (primarily client-facing)) – Numerous Titles
Trailer Park, Inc Details
7/12 – 10/12
1/12 – 7/12
Production Coordinator (Senior Digital Coordinator for Effects & Cloth/Hair Departments) – Jack The Giant Slayer
Film (Feature-length) — Digital Domain Details
1/12 – 7/12
-Managed two departments with team members in three different cities -Attended daily Production Meetings to collaborate with our counterparts in Canada -Monitored needs of downstream departments to see all needs met -Assumed control of the local majority of our crew transitions and rallied for high-demand resources on a studio level
8/09 – 11/11
Production Supervisor (Rigging Department (also temporarily supervised other depts in early production)) – Rise of the Guardians
Film (Feature-length) — DreamWorks Animation SKG Details
8/09 – 11/11
-Oversaw a department of 20 Character Technical Directors -Managed the Schedule, Budget, Staffing, Asset Tracking, and Deliveries within the Rigging Department -Managed a cross-site team -Ensured assets entered and exited the department thoroughly, efficiently, and on or ahead of schedule -Wrote and delivered Artist Reviews -Mentored an intern over two summers
5/09 – 8/09
Production Coordinator (Effects, Crowds, & Matte Painting Departments) – Monsters vs. Aliens: Mutant Pumpkins from Outer Space
NBC — TV — DreamWorks Animation SKG Details
5/09 – 8/09
-Worked closely with up and down-stream department heads -Assisted with department scheduling, running meetings, and cross-departmental communication -Wrote and distributed a manual for the Lustre Department -Worked daily with shot/asset tracking software -Mentored a Summer intern -Kept notes for important executive meetings, screenings, and checkins
2/09 – 5/09
Production Coordinator (Effects, Crowds, & Matte Painting Departments) – Monsters vs. Aliens: B.O.B.'s Big Break
Film (Feature-length) — DreamWorks Animation SKG Details
2/09 – 5/09
-Worked closely with up and down-stream department heads -Assisted with department scheduling, running meetings, and cross-departmental communication -Wrote and distributed a manual for the Lustre Department -Worked daily with shot/asset tracking software -Mentored a Summer intern -Kept notes for important executive meetings, screenings, and checkins
4/08 – 2/09
Production Coordinator (Effects & Lustre (final color) Departments) – Monsters vs. Aliens
Film (Feature-length) — DreamWorks Animation SKG Details
4/08 – 2/09
-Worked closely with up and down-stream department heads -Assisted with department scheduling, running meetings, and cross-departmental communication -Wrote and distributed a manual for the Lustre Department -Worked daily with shot/asset tracking software -Mentored a Summer intern -Kept notes for important executive meetings, screenings, and checkins
9/08 – 12/08
Digital Colorist Production Coordinator – Monsters vs. Aliens
Film (Feature-length)
9/08 – 12/08
Recos
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Education
Class of '04
California State University, Long Beach
BA - Film Production
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