Compositing Supervisor in charge of workflow management, scheduling, and supervising local and remote VFX team. Motion graphic design artist for all Fake UI and iPhone content. Technical liaison to Netflix visual effects department.
Summary
I've been working in the visual effects & post production industry for over 20 years. The best part of my job is getting to collaborate with talented artists and strive to produce amazing looking visual fx. http://www.imdb.com/name/nm0446657/
Credits
1/19 – 1/20
Compositing Supervisor – Spenser Confidential
Netflix — Film (Feature-length) — Film 44 Details
1/19 – 1/20
6/18 – 10/18
Digital Compositor (QC Supervisor) – Lemony Snicket's A Series of Unfortunate Events (Season 3)
Netflix — TV — Netflix Details
6/18 – 10/18
Netflix Quality Control Supervisor duties included vendor liaison, Shotgun tracking, program scripting, and workflow management. Performed digital composites incorporating practical effects, computer generated imagery, and live action footage. Created chroma-key extraction mattes, color correction grading, animated rotoscope and morph/warp animations. Designed look development, animation layout and asset creation using DSLR photography and digital video.
1/18 – 5/18
Digital Compositor – S.W.A.T. (Season 3)
CBS — TV — FuseFX
1/18 – 5/18
8/17 – 12/17
Digital Compositor – American Crime Story (Season 7)
TV — FuseFX
8/17 – 12/17
7/17 – 8/17
Digital Compositor (PostVis) – A Wrinkle in Time
Film (Feature-length) — Proof Inc.
7/17 – 8/17
4/17 – 5/17
Digital Compositor – The Orville (Season 1)
Fox — TV — FuseFX
4/17 – 5/17
3/17 – 4/17
Digital Compositor – The Patriot (Season 1)
HBO — TV — FuseFX
3/17 – 4/17
1/17 – 2/17
Digital Compositor – Tycoon (Season 1)
Internet — TV — FuseFX
1/17 – 2/17
Orgs
Media
Recos
Education
Class of '90
Loyola Marymount University
Bachelors/Film Production
My Gear
Skills
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